Sunday, August 31, 2014

Music and Sweets: A Perfect Combo for a Late Night Bakery

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Sometimes I lie in bed and dream of eating another piece of Bonnie Norris' pecan pie. It is the best piece of pie I have ever tasted.



I met Bonnie Norris in Napa, California at the Robert Mondavi Musical Festival this summer where she showed up with baked goods for everyone backstage -- beautiful pink-rose-frosting-topped cupcakes, cinnamon bars and that amazing pecan pie. She managed to bake all day after flying in from Denton, Texas with her brother and music partner Nick Norris; this was their first airplane flight ever. They hopped on that plane to perform two concerts for us in the majestic setting of the Napa Valley wine country.



Bonnie plays a gorgeous fiddle and Nick works magic on his guitar. They perform effortlessly together as if they have been doing it their whole life -- which, well, they almost have. Bonnie was 14 and Nick was 10 when they first started performing for audiences in Texas. In fact, they just celebrated their 20th anniversary of playing on the square in their hometown of Denton. Bonnie started playing fiddle at 10 and Nick started on the banjo at eight years old. The two have been playing music ever since. While they come from a musical family of singers and musicians, they have recently taken their talent to a whole new level.



The story goes that just a few months ago, Live in the Vineyard co-founder and music magician and angel Claire Parr met Bonnie after her family brought home some of her baked goods. Once she heard Nick and Bonnie playing their music together, she invited the sibling duo to join her on stage at the Mondavi Winery Music Festival this past summer.



The Napa crowd fell in love with Bonnie and Nick Norris' performance, and let's just say I wasn't the only one salivating over Bonnie's sweet treats backstage. Bonnie comes by her baking talents as she does her music -- from her gifted family roots. She has uncles who baked pies for the Waldorf Astoria Hotel in New York City and a special Mama who taught her how to beautifully decorate cakes.



It is so special to watch someone like Bonnie Norris, a woman who fully embraces her passions -- baking and playing music -- and engaged in them simultaneously with such love, care and joy.



While she pursues her music career, Bonnie is operating a home-based bakery, where she can bake about everything and anything one would want for dessert, and shows off some serious artistic talent in her elaborately decorated birthday and wedding cakes. Nick is equally hard working -- he'll often go directly from a late-night music gig to drive his regular bread truck route -- another tradition passed down from his family. (Nick is a special character with an awesome guitar collection and dreams of building his own line of guitars.)



At one point in our conversation, Bonnie turned to me and said: "Just like in the Napa Valley, good food and good music go hand-in-hand, I love good music and I love to bake, so while I want to keep writing and playing my music, I hope to open my own bakery one day." We talked about how great it would be to have a place for people to come at night to listen to Bonnie and Nick play music while enjoying her fabulous desserts. We half kiddingly named the imaginary joint "Bonnie's Late Night Bakery."



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With her real musical skills and genuine sweetness, I have no doubt that she'll succeed. Anyone who has heard Bonnie play her fiddle and tasted her desserts hope her Late Night Bakery becomes a reality soon! (And for those of you fortunate enough to live anywhere near Denton, Texas, you must get yourself a Bonnie Norris dessert -- and find out where she and Nick will be playing next.)



Inspired by Claire Parr and their experience in California wine country, Nick and Bonnie have begun writing and composing their own original music to release by the end of the year.



Follow Bonnie and Nick on Facebook at: Bonnie and Nick



Follow Bonnie: Bonnie Norris Follow Nick: Nick Norris



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A Labor Day Documentary: 'Brothers on the Line' Tells the Story of the Reuther Brothers -- Founding Fathers of the American Middle Class

Ask most Americans to name the most influential siblings in our nation's history and they'll probably think about politics (the Kennedy and Bush brothers), sports (the DiMaggio brothers and the Williams sisters), and show business (the Marx brothers, Maggie and Jake Gyllenhaal, the Osmonds, and the Jackson Five).



It is unfortunate that the Reuther brothers (Walter, Roy and Victor), who built the United Auto Workers union that transformed the broader labor movement and helped build the nation's middle class, would probably not make the list because few Americans know much about labor history. A new documentary film, Brothers on the Line, may help remind America about these three courageous union organizers who deserve a place in the pantheon of America's social justice heroes.



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(Left) Victor, Roy and Walter Reuther. (Right) Walter Reuther with civil rights leaders Roy Wilkins and A. Philip Randolph at the 1963 March on Washington




Even as we celebrate Labor Day, few Americans understand the crucial role that the union movement has played in improving the lives of working people in terms of better pay, safer working conditions, and improved health care, retirement, and educational opportunities. And, as events in Ferguson, Missouri unfold and draw attention to the persistence of racism in America, it is good to be reminded, as Brothers on the Line does well, that the Reuthers and the UAW were at the forefront of the civil rights movement, as close allies of Martin Luther King, Cesar Chavez, and other progressives. The film is currently available for rent or purchase on iTunes, Google Play, and Amazon Instant across the U.S. and Canada.



The Reuthers would surely be upset about the current state of organized labor (which now represents only seven percent of private sector employees), but hopeful about some the resurgence of activism among fast food, hotel, hospital, port, Walmart, and other workers as well as the growing movement in cities around the country to raise the minimum wage. Brothers on the Line shows us that the struggle for workers' rights goes hand in hand with the battles for a more humane society.



"We are the vanguard in America of that great crusade to build a better world," Walter Reuther told about 3,000 members of the United Auto Workers (UAW) at the union's 1947 convention. "We are the architects of the future."



The 40-year-old UAW president was preparing his members, many of them military veterans, for another kind of war, one that would pit unions and their progressive allies against the increasingly concentrated power of big business, a war whose battlefields would be the shop floor, the bargaining table, the voting booth, and the halls of Congress.



Walter was the best-known and most influential of the brothers, a household name in the 1940s, 1950s, and 1960s, whose photo adorned the cover of TIME magazine in 1945. But the film (produced by Sasha Reuther, Victor's grandson) makes it clear that Walter, Roy and Victor were part of a team who recognized that a successful union requires rank-and-file shop floor militants, mid-level strategists and "inside" activists, and visible public leaders who can inspire the nation, negotiate with corporate chieftans, and confer with presidents. All three began as shopfloor militants and eventually rose to prominence within the UAW. Walter was elected UAW president in 1946 and served in that position until he was killed in a plane crash in 1970. Victor served as head of its educational and later its international office. Roy became the director of the UAW's political department.



The 80-minute documentary understandably spends more time on Walter than on his brothers, although Victor -- who was probably the most radical of the trio -- gets his due for his brilliant tactical maneuvers during the 1930s organizing drives, for getting the UAW to support democratic unions around the world, and for encouraging Walter to oppose the Vietnam war. Victor was the only one of the brothers still alive when his grandson made the film. He is a wonderful storyteller and the clips of his speeches and his interviews sprinkled throughout the film are a highlight. Roy, who as the UAW's political director, helped elect John F. Kennedy, used its influence to push Congress to enact Medicare, Medicaid, the Civil Rights Act, the Voting Rights Act and other key laws, and persuaded Walter to support the United Farm Workers, gets less airtime in the film.



The film weaves together archival newsreel footage, tapes of speeches, narration by Martin Sheen, and interviews (with rank-and-file UAW members and union leaders as well as Reuther allies like Ted Kennedy, John Conyers, Dolores Huerta, and Andrew Young), and a few academics, most usefully labor historian Kevin Boyle. Brothers on the Line could serve as a basic introduction to key trends and moments of the 20th century, including the rise of mass production, the emergence of big cities, the exodus of blacks from the South to the North and Midwest, the social and political turmoil of the Depression, the rise of the auto industry as the lynchpin of post-war American prosperity, the battles to unionize the Big Three auto companies against outrageous corporate terrorism, the emergence of the civil rights movement, and the turmoil and conflict over the Vietnam war. (The film overlooks two key aspects of the Reuthers' story and the 20th century - World War 2 and the birth of the environmental movement).



The Reuthers grew up in Wheeling, West Virginia, three of the five children of Valentine Reuther, a German immigrant, a Socialist, and an activist in the brewery workers' union. In 1919 Valentine took Walter and his brother Victor, ages eleven and six, to visit Socialist Party leader Eugene Debs at a prison outside Wheeling, where he was being held for his opposition to World War I. The visit made an indelible impression on both young Reuthers, who became committed Socialists.



Walter quit high school at age sixteen and became an apprentice tool-and-die maker. He moved to Detroit in 1927, drawn by the Ford Motor Company's promise of high wages and a shorter workweek. He quickly established himself as one of the most skilled toolmakers at Ford's massive River Rouge plant. Victor and Roy joined Reuther in Detroit and on the assembly lines in the growing mass production auto plants. The exhausting and inhumane conditions -- speed-up, close scrutiny and anti-union intimidation by supervisors, the lack of job security, the blatant racism that assigned black workers to the most dangerous and dirtiest jobs -- led Walter to characterize the industry as a "social jungle" in which workers were "nameless, faceless, clock-card numbers."



The Depression deepened the Reuthers' already radical outlook. Working nights, Walter earned his high school diploma at the age of 22 and took classes at Detroit City College (now Wayne State University), where he was joined by his younger brothers. Walter and his friends formed a Social Problems Club on campus and affiliated with the Socialist League of Industrial Democracy, organized protests against establishing a Reserve Officer Training Corps (ROTC) unit on campus, and protested the segregation of a local swimming pool leased by the college. In 1932 Walter campaigned for Socialist Party presidential candidate Norman Thomas and was promptly fired by Ford, which kept a close eye on its employees' nonwork lives.



The following year, Walter and Victor embarked on a world tour, hoping to work at the Soviet Union's huge Gorki automobile factory, which Henry Ford had equipped. The brothers spent a year helping train the Gorki tool-and-die workers. Reuther was impressed by Russia's quick transformation into a modern industrial society, but he also saw the repression under Stalin's totalitarian regime, an experience that shaped the brothers' anticommunism during the Cold War.



The three brothers played key roles in the major union organizing battles in Detroit, Flint, and other auto industry centers. Walter and Victor returned to Detroit in 1935. Walter never worked on the shop floor again, but channeled his talent and ambitions into building the fledgling auto workers' union. Victor got a job at the Kelsey-Hayes Wheel Company, in Flint, Michigan. Together they led a successful sit-down strike at Kelsey-Hayes, a Ford supplier with 5,000 employees. The strike led to a settlement that doubled workers' wages.



Walter and Victor both played roles in the 1936 General Motors strike in Flint, with its now infamous scenes of pro-GM cops attacking workers with billy clubs and tear gas. During the strike, Victor, then 24, drove around Flint in a car equipped with a loudspeaker on the roof, encouraging the "sit-down" strikers who had occupied the factories. The strike spread to over 100 other plants, virtually shutting down GM's production. When the strike was settled, winning many improvements in pay and working conditions, the Reuther brothers' exploits became well-known. In Victor's case, it meant that he and his wife Sophie (the UAW's first woman organizer) had to leave town to evade a warrant for their arrest issued by a pro-GM judge.



On May 26, 1937, Walter and other UAW organizers were passing out leaflets at a pedestrian overpass next to Ford's factory complex in Dearborn, Michigan. As the film shows, Ford's private police organization, euphemistically called the Service Department, attacked the union activists in what became known as the "Battle of the Overpass." Newspaper photographers captured Ford's thugs beating Reuther bloody. At a time of widespread pro-union sympathy, the incident was a public relations nightmare for Ford. Even so, it took almost four more years -- until April 1941, when a huge strike shut down Ford's operations -- before the company recognized the UAW and signed a union contract.



The Reuthers had many enemies -- among the auto companies, the mob (whose influence within the unions the Reuthers sought to squash), right-wing vigilantes, and opposing factions within the union. In the 1940s, both Walter and Victor were victims of assassination attempts that caused permanent physical harm. The film chillingly recounts these episodes through interviews with friends and family members.



The film skips Walter's first major foray into social planning. In 1940, when half the auto factories were idle, he proposed a bold plan to convert idle factories to build 500 military aircraft a day. A brilliant student of industrial engineering and planning, Reuther's plan would put employees back to work, serve a patriotic goal, and put labor on an equal footing with business in planning the war economy. But the auto executives did not want to share decision making with government bureaucrats, much less with union leaders, and they rejected the idea out of hand. Once the nation went to war, however, President Franklin D. Roosevelt frequently consulted Reuther (whom he once called "my young red-headed engineer") on wartime production problems. Anticipating the war's end, Reuther proposed creating a three-part peace production board (with representative from business, labor, and government) to convert defense plants so they could produce railroad cars and workers' housing. To many Americans, this idea seemed like common sense. But business viewed it, correctly, as a radical shift of power, reducing business's influence in shaping the economy. One Detroit auto executive, George Romney (father of former Massachusetts governor Mitt Romney), understood Reuther's genius: "Walter Reuther is the most dangerous man in Detroit because no one is more skillful in bringing about the revolution without seeming to disturb the existing forms of society."



When the war ended, Reuther was determined to put the labor movement on a more equal footing with corporate America. In 1946 he led a 116-day strike against GM. Autoworkers' buying power had eroded during the war, and the UAW demanded a 30 percent pay increase without an increase in the retail price of cars. When GM insisted that it could not meet the union's demand, Reuther challenged the company to "open its books." GM refused, but the UAW won an 18 percent wage increase.



But Reuther was making a larger point, one he would return to many times, particularly after he was elected UAW president in 1946. By demanding that GM freeze its prices, Reuther was appealing to consumers as well as to UAW members. He argued that the automobile industry -- the largest and most profitable companies in the world -- had a responsibility to society as well as to its stockholders and its workers. And it was the labor movement's responsibility not only to look out for its members but also to use its influence -- at the bargaining table with business and in the political realm with government -- to make America a more livable society for all. "What good is a dollar-an-hour more in wages if your neighborhood is burning down?" Reuther asked, in a speech that unfortunately isn't included in the film. "What good is another week's vacation if the lake you used to go to is polluted, and you can't swim in it and the kids can't play in it?"



Using the UAW's clout within the labor movement and with the Democratic Party, Reuther pushed a progressive postwar agenda that included national health care, economic redistribution, full employment, and job security for all.



Reuther's call for a progressive social contract among government, business, and labor was too radical for most Democrats, especially as the Cold War was heating up. So Reuther sought to achieve similar goals at the bargaining table, creating, in effect, a private welfare state for those Americans lucky enough to work for the nation's biggest corporations and to have a union contract. In 1948 the UAW got GM to agree to a historic contract tying wage increases to the general cost of living and to productivity increases. Over the next two decades, UAW members won unprecedented benefits, including enhanced job security, paid vacations, and health insurance. In 1955 the UAW won supplemental unemployment benefits that enabled UAW members to earn up to 95 percent of their regular paycheck even if they were laid off. Reuther hailed that provision as "the first time in the history of collective bargaining [that] great corporations agreed to begin to accept responsibility" for their workers during layoffs.



The union used strikes -- or the threat of work stoppages -- to gain these victories. It took a strike at Ford in 1949 to establish the union's right to have a voice in the speed of the assembly line. It took a 100-day strike at Chrysler in 1950 to win a pension plan.



As a result of these victories, UAW members were able to buy homes, move to the suburbs, send their children to college, take regular vacations, and anticipate a secure retirement. The UAW set the standard for other unions to win similar benefits from other major industries.



The UAW was on the front line of the civil rights movement. Reuther marched with Martin Luther King Jr. and other civil rights leaders in Mississippi and elsewhere. The UAW helped fund the 1963 March on Washington (which the AFL-CIO refused to endorse) and brought many of its members to the historic protest. Reuther was one of the few white speakers at the march. The UAW used its political clout to lobby for passage of the Civil Rights Act, the Voting Rights Act, and the Fair Housing Act. Reuther was also an early and generous supporter of Cesar Chavez's efforts to organize farmworkers, marched with Chavez on numerous occasions, and supported the boycott of nonunion grapes and lettuce, long before other union leaders recognized the importance of the farmworkers' struggle.



Reuther advised Presidents. Kennedy and Johnson to champion a bold federal program for full employment that would include government-funded public works and the conversion of the nation's defense industry to production for civilian needs. This, he argued, would dramatically address the nation's poor, create job opportunities for African Americans, and rebuild America's troubled cities without being as politically divisive as a federal program identified primarily as serving low-income blacks.



Both presidents rejected Reuther's advice. They were worried about alienating racist southern Democrats and sectors of business who opposed Keynesian-style economic planning. LBJ's announcement of an "unconditional war on poverty" in his 1964 State of the Union address pleased Reuther, but the details of the plan revealed its limitations. Testifying before Congress in April 1964, Reuther said, "While [the proposals] are good, [they] are not adequate, nor will they be successful in achieving their purposes, except as we begin to look at the broader problems [of the American economy]." He added, "Poverty is a reflection of our failure to achieve a more rational, more responsible, more equitable distribution of the abundance that is within our grasp." Reuther threw the UAW's considerable political weight behind LBJ's programs, but his critique proved to be correct.



In 1952 Reuther was elected president of the Congress of Industrial Organizations (CIO) and three years later brokered a merger with American Federation of Labor (AFL) president George Meany. By then about one-third of America's workers were union members. Reuther hoped that the AFL-CIO would spearhead a new wave of union organizing, particularly in the South, but he was constantly frustrated by the indifference of many unions to organizing the unorganized or to mobilizing their members for political action.



In 1966 Reuther said, "The AFL-CIO lacks the social vision, the dynamic thrust, the crusading spirit that should characterize the progressive modern labor movement." Two years later he withdrew the UAW from the AFL-CIO and forged a new labor group, the Alliance for Labor Action, with the Teamsters union. Reuther had big plans for the organization, but before it could launch any initiatives, Reuther, his wife, and two others were killed in a private plane crash in 1970.



Brothers on the Line does an excellent job of explaining why Walter was reluctant to oppose the Vietnam war, whatever his personal views about that conflict. He had a close working relationship with President Johnson, who endorsed many of Walter's views on civil rights, anti-poverty, and labor issues. The film lets us in on a remarkable phone call between Walter and LBJ in which the president uses all his charm and persuasive powers to convince Reuther to publicly support the war. "I want you to tell the rest of them that I'm no goddamn fascist," Johnson said, referring to Walter's fellow liberals, who were increasingly critical of LBJ's Vietnam policy.



After the murders of King and Bobby Kennedy, however, Walter was more open to hearing his children and Victor's arguments against the war and changed his public stance.



The film does not overlook two of the most troubling aspects of Walter's ascendancy in the UAW and the labor movement. Although Walter was often at odds with the conservative Meany, who resisted putting more resources into rank-and-file organizing, Reuther shared some of the blame as well. He viewed the Communists within the UAW and the broader labor movement -- who included some of the most experienced and effective organizers -- as a threat. During the Red Scare, he used anti-Communism as an excuse to expel the radicals from the labor movement, weakening its left wing and creating a vacuum filled by more conservative factions.



Reuther was also slow to bring more than a handful of black workers into the UAW's leadership ranks. Although Reuther was a powerful champion of civil rights, many African-American autoworkers -- radicalized by the Black Power movement -- were angered by his failure to recruit and groom blacks into the union's top leadership.



Under the Reuthers' leadership, the UAW grew to become the nation's largest and most powerful union, with more than 1.5 million members. It has since shrunk to about 355,000 members, reflecting the outrageous mismanagement and declining fortunes of the U.S. auto industry, the relocation of many auto factories to right-to-work states in the South, and increasing competition from European and Asian auto companies. General Motors, once the largest and most successful corporation in the world, is now profitable but employs many fewer American workers. It has been replaced by companies like Walmart, now the world's largest private employer. Walmart -- like GM before it -- has poured enormous resources into fighting efforts by its employees to unionize.



Among Walmart's more than one million American workers, there are many potential union leaders -- many of them now part of OUR Walmart -- who will eventually find ways to successfully challenge the company and build a strong voice for employees. Perhaps there are even three sisters who now work at Walmart and will become national leaders in this new wave of workplace organizing. And 25 or 50 years from now, one of their grandchildren will make a film about them -- Sisters on the Line.



Peter Dreier teaches Politics and chairs the Urban & Environmental Policy Department at Occidental College. His most recent book is The 100 Greatest Americans of the 20th Century: A Social Justice Hall of Fame (Nation Books, 2012).

Jennifer Lawrence's Nude Photos Leak Online

A 4chan user claims to have released nude photos of several female celebrities in a major hacking.



The hacker said that he or she leaked photos of Jennifer Lawrence, Kate Upton, and a host of other stars.



A rep for J.Law confirmed that the images are real.



"This is a flagrant violation of privacy," the spokesperson told HuffPost. "The authorities have been contacted and will prosecute anyone who posts the stolen photos of Jennifer Lawrence.”



The hacker claims to have more NSFW pics as well as videos.



Victoria Justice, who was also targeted in the hack, said that the photos aren't real.



"These so called nudes of me are FAKE people," she said. "Let me nip this in the bud right now. *pun intended*"

Todd English Arrested, Charged With DWI

SOUTHAMPTON, N.Y. (AP) — Celebrity chef Todd English, who has opened restaurants around the country and written multiple cookbooks, was arrested Sunday on a charge of driving while intoxicated, authorities said.



Police in Southampton said English was arrested Sunday morning on a county road on Long Island. He made a court appearance later in the day, and authorities said he posted $1,500 bail. The circumstances of the arrest were unavailable. An email to English's representative and a call to his attorney were not immediately returned.



The chef, whose full name is William Todd English, is the creative force behind a number of restaurants around the country, including Olives, Figs and Fish Club. He also has been a regular on television programs including "Iron Chef USA."



English has written several cookbooks and has been honored by the James Beard Foundation for excellence and achievement in cuisine.



In September 2009, his former fiancee was charged with assault, and authorities accused her of hitting him with a metal wrist watch, leaving him needing multiple stitches. The couple had been scheduled to get married, but English called the wedding off.



A judge in January 2010 closed the case without prison or probation based on her going through anger management and performing community service.

Miley Cyrus Says She Still Loves Former Fiance Liam Hemsworth

Is Miley Cyrus really over Liam Hemsworth? Sure doesn't sound like it.



In an interview on Australia's "Sunday Night," Cyrus told reporter Chris Bath that she still has a lot of love for her former fiance.



"I love Liam, Liam loves me," Cyrus said, according to Daily Mail.



Following Cyrus' split from "Hunger Games" actor Hemsworth, Cyrus' father, Billy Ray, opened up about how happy his daughter seemed.



"All I know for sure is I heard my daughter say today she's the happiest she's ever been in her life immediately following [the breakup.] That's when I saw Miley being so happy," Billy Ray said in 2013. "Somewhere along the stress and strain of different things I didn't see her smiling as often for a little while and all of a sudden she's like the sun, and when she smiles it's light."



Here's to hoping Cyrus stays so happy ... Hemsworth or no Hemsworth.



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What's New On Netflix In September 2014?

September is upon is, which means one thing: Netflix has some great new titles right around the corner. From the final season of "How I Met Your Mother" to some of Robin Williams' best movies, the streaming service has us covered in a big way this month.



So say goodbye to summer and let the binge-watching begin. Here's what's new on Netflix this month:



TV Shows:

“Californication,” Seasons 1-7, Sept. 1

“Chasing UFOs,” Season 1, Sept. 1

“Doomsday Preppers,” Seasons 1-3, Sept. 1

“Hinterland,” Season 1, Sept. 1

“Unsealed: Alien Files,” Season 1, Sept. 1

“Zero Hour,” Seasons 1-3, Sept. 1

“The League,” Season 5, Sept. 2

“Trailer Park Boys,” Season 8, Sept. 5

“The Blacklist,” Season 1, Sept. 7

“Crash & Bernstein,” Season 2, Sept. 10

“About a Boy,” Season 1, Sept. 14

“Arrow,” Season 2, Sept. 14

“Bones,” Season 9, Sept. 16

“New Girl,” Season 3, Sept. 16

“The Fosters,” Season 2, Sept. 17

“Revolution,” Season 2, Sept. Sept. 22

“How I Met Your Mother,” Season 9, Sept. 26

“Parks and Recreation,” Season 6, Sept. 26

“Comic Book Men,” Season 3, Sept. 28

“The Walking Dead,” Season 4, Sept. 28



Movies:

“A Simple Plan,” Sept. 1

“Cool Runnings,” Sept. 1

“Crocodile Dundee,” Sept. 1

“Detention,” Sept. 1

“Flubber,” Sept. 1

“Girl Rising,” Sept. 1

“Girlfight,” Sept. 1

“Good Morning, Vietnam,” Sept. 1

“Guess Who,” Sept. 1

“Hoodwinked,” Sept. 1

“Jay and Silent Bob's Super Groovy Cartoon Movie,” Sept. 1

“Lords of Dogtown,” Sept. 1

“Mirage Men,” Sept. 1

“School of Rock,” Sept. 1

“Small Apartments,” Sept. 1

“Swiss Family Robinson,” Sept. 1

“The Believers,” Sept. 1

“The Blue Lagoon,” Sept. 1

“The Unbelievers,” Sept. 1

“All is Lost,” Sept. 5

“Kid Cannabis,” Sept. 6

“Le Week-End,” Sept. 6

“Refuge,” Sept. 6

“Your Sister’s Sister,” Sept. 6

“Who Is Dayani Cristal?,” Sept. 9

“Deadly Code,” Sept. 10

“A Single Man,” Sept. 11

“Dennis Miller: America 180,” Sept. 11

“Filth,” Sept. 11

“The Moment,” Sept. 11

“Grace Unplugged,” Sept. 12

“Justin and the Knights of Valor,” Sept. 13

“Beginners,” Sept. 16

“One Day,” Sept. 16

“Silver Linings Playbook,” Sept. 16

“3 Days to Kill,” Sept. 17

“The Double,” Sept. 25

“Bad Grandpa,” Sept. 27

“Lullaby,” Sept. 29

“Killing Them Softly,” Sept. 30

Doctor Who Season 8, Episode 2: Into The Dalek

SPOILER ALERT: Don't read ahead if you haven't watched Doctor Who series 8, episode 2: Into The Dalek



Steven Moffat has never shied away from literal titles, so as many of you probably guessed the second episode thrust Clara and The Doctor quite literally 'Into The Dalek.'



Daleks are Doctor's greatest nemeses. Yet this episode treated us to a narrative that is not entirely new, or original. We've seen morally compromised Dalek's before, a trait that the Doctor never put much stock in. This episode's main purpose was to cement a narrative in which Doctor finally sees a glimmer of hope in the Dalek vs Timelord war that doesn't end in the total annihilation. The 50th anniversary set up a long term goal for the Doctor. His journey going forward was meant to focus on restoring Gallifrey, however in the first two episodes of series 8, his behavior is hardly in line with that.



When the Doctor faced off with the Clockwork Robot in the season premiere, he very clearly stated that there was no such thing as "promised land." In this episode he has a similarly bitter moment after discovering that the only reason that this Dalek was acting good was because of radiation poisoning. I'm not quite sure what to make of this new Doctor yet, right now he just seems like a mean, old man, who is pretty difficult to identify with.



'Into The Dalek' shined an odd light on Doctor's new personality. Long gone are the days of the 11th Doctor charmingly bonding with children, talking down homicidal aliens with empathy or cold logic. The 12th Doctor is kind of a jerk and not at all apologetic about it. The Doctor is supposed to be brilliant, have all the angles figured out, and above all he is never supposed to just give up on anyone. Looks like Moffat is eagerly tossing all the things the Doctor is "supposed" to be out the window. We can only hope that the result is not a repeat of series 7.



In 'Into The Dalek' the companion does pretty much all the work, while the Doctor stands by sulking and criticizing Clara's appearance. Was a dialogue about Clara's hips really necessary?















It seems like Moffat is basically trying to make us dislike the Doctor. The show runner's intent may be to corner his audience into an emotional conflict similar to the Doctor's own identity crisis, but so far all of it comes off forced and manipulative.



There has been an interesting shift in the center of the story. The last two episodes have made the companion feel very much like the protagonist. 'Deep Breath' was all about Clara's acceptance of the Doctor, while 'Into The Dalek' was prominently about her stepping up to great challenges and saving the day. To Moffat's credit, throughout the whole episode I cared a lot about Clara's adventure, in fact I cared about her story so much that the Doctor's narrative conflict felt like a total imposition. I'm not saying I want to see a return to a flat, uninteresting companion, but I think Moffat is struggling to find a balance in having an engaging surrogate for the audience. The show is after all called 'Doctor Who.'



In 'Deep Breath' Strax mentions that Clara is 27 years old. She first met the Doctor in her true incarnation when she was 21, as suggested by 'The Bells Of Saint John'. Having traveled with the Doctor for about 6 years, we can see her evolution from a technologically incompetent nanny to a total badass with sass. She is more confident, incisive about alien tech and is increasingly acting as moral compass for a 2 thousand year old Timelord who is long past all sanity. Yet, when depicting Clara's earth life the only aspect we're focused on is a romance.



You'd think a woman who has traveled the galaxy, saving the Doctor thousands of times, would have something more interesting to do than hackle a guy for a date.



Having an older man step into the Doctor's shoes was supposed to eliminate the forced romantic tensions that dominated so many of Tennant/Smith's story lines. I don't want to be prematurely pessimistic, Clara and Danny Pink's chemistry looks pretty fantastic. I'm simply concerned that in Moffat's hands, Clara may soon shift trajectory from being a cool, relatable maturing character back into a manic pixie dream girl.










Overall, 'Into The Dalek' was a strong episode. I really enjoyed the old school lo-fi feel of the set design. The season has been keeping it's promise of returning to show's roots. The entire episode was tense, thrilling and quite scary.



We were treated to more of Missy and "Paradise." It appears that she is following the Doctor quite closely, picking up people who have "died" around him as she goes. The most intriguing aspect of that mystery is it's moral ambiguity. It's not yet clear if Missy is a villain. After another viewing of 'Deep Breath' I'm actually wondering if Missy is somehow connected to the Dinosaur that tragically perished in the heart of London. Her wording and odd mannerisms strongly call back to the Doctor's conversation with the Dinosaur at the beginning of the episode.



I'm curious to see how the show goes forward. A lot of ground work is being laid, especially with Doctor's unexplained prejudice against soldiers. That will obviously play into his dynamic with Danny and Clara. In the meantime we can just stare at this gif on repeat.





'Guardians Of The Galaxy' Just Became The Top-Grossing Movie Of 2014

Move over Captain America, Peter Quill and his crew have made their way to the top.



Marvel's latest flick "Guardians of the Galaxy" cemented its place at No. 1 this weekend, becoming the top-grossing movie of the 2014 domestic box office on Friday, Aug. 29, according to Entertainment Weekly. The film surpassed "Captain America: The Winter Soldier," which grossed a total of $259.7 million domestically, bringing in $274.6 million after taking over the start of the holiday weekend.



"Guardians of the Galaxy" hit theaters on Aug. 1 and had a production budget of $170 million.



The action movie topped the weekend box office, with "Teenage Mutant Ninja Turtles" coming in at No. 2 with $11.7 million and "If I Stay" grabbing the No. 3 spot with $9.3 million.

'Downton Abbey' Season 5 Trailer Foreshadows Some Shocking Twists

It appears things are heating up at Downton Abbey.



The trailer for Season 5 of the hit series was released on August 30, and it foreshadows some major plot twists and turns. Lady Mary Crawley (Michelle Dockery) seems to have her sights set on Lord Gillingham (Tom Cullen), Tom Branson (Allen Leech) has a new love interest and the Countess of Grantham (Elizabeth McGovern) looks to be making a mysterious connection of her own with newcomer, Simon Bricker (Richard E. Grant).



Plus, it looks like a devastating fire breaks out, which could change everything.







"Downton Abbey" returns to PBS on Jan. 5, 2015.

It's Almost Labor Day, So Here Are 18 Pregnant Celebrities Who Could Give Birth Any Day Now

Obamas Attend Longtime Chef Sam Kass' Wedding To MSNBC Host Alex Wagner

POCANTICO HILLS, N.Y. (AP) — Setting aside for a few hours the pressures of trying to calm the world's trouble spots, President Barack Obama assumed the role of spectator for something more joyous: the wedding of the first family's longtime chef and friend.




Chef Sam Kass and MSNBC host Alex Wagner tied the knot Saturday at Blue Hill at Stone Barns, a farm-to-table restaurant in Pocantico Hills, just north of New York City.




The president and his chef have a close relationship, which Obama highlighted earlier this month when he spent several hours at dinner at Kass' apartment amid the turmoil in Iraq, Ukraine and Ferguson, Missouri.




It's long been said that time is a president's most precious commodity. That Obama would spend five hours at Kass' home on one of the aide's final evenings as a bachelor was a testament to their bond.




Obama's rounds of golf are often his only other outings that last as long — and those games sometimes include Kass.




Obama, his wife, Michelle, and their daughters, Malia and Sasha, attended the ceremony and reception at the restaurant, which is a favorite of both Kass and Mrs. Obama. The first lady hosted the spouses of world leaders there in 2010.




Obama wore a dark suit, and Mrs. Obama and their daughters each wore sleeveless black dresses. The first family spent about six hours at the wedding. Obama had no known role, other than to give his best to the bride and groom. The Obamas returned to the White House early Sunday.




The union of Kass, 34, and Wagner, 36, also served to highlight what some contend is too much togetherness between the media and the people they report on. Naturally, the guest list was expected to include staff from both the White House and the liberal-leaning cable news outlet, with people from both sides breaking bread at the same dinner table.




Kass began preparing meals for the Obamas when the family lived in Chicago and the Obamas persuaded him to join them at the White House. He is now among the Obamas' longest-serving aides.




Besides cooking for the family most weeknights, Kass also serves as senior nutrition policy adviser and executive director of the first lady's anti-childhood obesity initiative.




It's not unusual for presidents, including Obama, to attend or participate in weddings.




Obama hosted a Rose Garden wedding last October for Pete Souza, the president's chief official photographer.




In June 2012, Obama, his wife, daughters and mother-in-law attended the Chicago wedding of the daughter of White House senior adviser Valerie Jarrett.




In May 2008, George W. Bush was in office when his daughter, Jenna, married at the family ranch in Crawford, Texas.




Bill Clinton was best man for his brother, Roger, in March 1994.




Ronald Reagan and his wife, Nancy, participated in the August 1984 wedding of their daughter Patti Davis. Reagan spoke one line in the ceremony. He responded "Her mother and I do" when asked who would give away the bride.




___




Associated Press news researcher Barbara Sambriski in New York contributed to this report.




___




Follow Darlene Superville on Twitter: http://ift.tt/Xr7AlE


Gabrielle Union And Dwyane Wade Are Married

Congrats go out to Gabrielle Union and Dwyane Wade!



The longtime couple got married on Saturday, Aug. 30, at the Chateau Artisan castle in Miami in front of a small crowd of family and friends, People reports. This is the second marriage for both Union, 41, and Miami Heat shooting guard Wade, 32, who proposed back in December with help from his two children from a previous marriage, sons Zaire and Zion, and his nephew, Dahveon, whom he's raising.



According to Us Magazine, the bride wore a romantic Dennis Basso gown while Wade wore a customized white suit by Dsquared2, his personally designed Wedding Collection bowtie from The Tie Bar and a boutonniére by Floral Fix. John Legend performed at the ceremony before guests enjoyed the reception, where a juke joint straight out of the 1930s was created.



Union took to Instagram to share photos from the celebratory weekend, posting the below picture on Saturday and writing, "Happy... Got my Luther playin... There's a #BeingMaryJane marathon on #BET, my #nebraska #huskers play today... All my loved ones are in town... Today is a good day... I must say I'm feeling blessed and humbled and just freakin happy... Let's go!!! #thewadeunion."







The actress also shared some snaps from the pair's rehearsal dinner.











Cheers to the happy couple!

Bill Nye 'Announces' Presidential Run With Neil deGrasse Tyson

"Bill Nye The Science POTUS" may have a nice ring to it, but would the famed "Science Guy" ever run for office?



A listener of the StarTalk Radio program, which was first hosted by renowned astrophysicist Neil deGrasse Tyson, asked Nye that question in a recent episode.



His answer just may make your ears perk up. Check out the video above.



"Oh, sure, so Neil deGrasse Tyson and I are working on our cabinet," Nye says in the video, before offering positions to guest hosts comedian Eugene Mirman and former NASA astronaut Mike Massimino.



Let's just put that in context: Hillary Clinton hasn't even announced whether she will or will not run in 2016, and these two science guys are already shoring up their administration.



Nye's response was a joke, of course -- we doubt that there's really a "Secretary Of Court Jestering" position to hand out to one's radio friends -- but it makes us wonder what it would be like to have these two brilliant men in the highest offices in the land.



Nye/Tyson 2016, anyone?

Mark David Chapman, John Lennon's Murderer: 'I Found My Peace In Jesus'

(RNS) The man who murdered John Lennon wants only one thing now — to tell others about Jesus.



Mark David Chapman, 59, told parole examiners he was no longer the man who sought notoriety through killing the Beatles rock star in 1980.



Now, he said, he’s sorry, “forgiven by God” and eager to spend his days — in prison or out — ministering to others.



Examiners denied Chapman the possibility of parole for the eighth time on Aug. 20. According to the 25-page transcript of the hearing, Chapman expected that finding. He will continue serving 20 years to life at the Wende Correctional Facility in Alden, near Buffalo, N.Y.



In his last parole hearing in 2012, the transcript shows, he was just as interested in testifying about his religious faith.



The transcript details how he spent years plotting the shooting of Lennon, acquiring a gun and bullets, lying to his wife about his whereabouts and plans. No more, he said. Now, his wife of 35 years, who visits him at least annually, is his partner in faith.



He told the board: “We’re closer to the Lord now than we were on the street so I am going to credit him with keeping our marriage together and our sanity.”



Chapman’s anniversary gift to her was a gold cross with a ruby heart in the center. It was not “just to say. ‘Thank you, honey.’ It’s to tell God thank you for his love for us, for sticking with us,” Chapman said.



Parole examiners asked whether Chapman might harm others if released and whether he was concerned that he might be a target himself for someone seeking the notoriety of murdering him. Chapman pledged that his crime days were over and as for risk to himself: “I leave it in God’s hands.”



His main interest now lies in ministering to prisoners. “Me and my wife have a ministry. We distribute brochures that tell people about Christ. … That is where my heart is.”



Chapman apologized for the pain he caused Lennon, his family and his millions of fans: “I am sorry for being such an idiot and choosing the wrong way for glory. I found my peace in Jesus. I know him. He loves me. He has forgiven me.”



The upshot: He plans to spend his days “telling people, ‘Hey, you have another option. You have Christ. … Either crime or Christ, which way do you want to go here?’”



And he predicted correctly during the hearing (“We all know how this will turn out,” he said) that those days would be in prison. The board ruled that Chapman’s release would be incompatible with the welfare of society” and would “deprecate the serious nature of the crime,” according to the Rochester Democrat and Chronicle.

Steve Grand Goes Nude For The ALS Ice Bucket Challenge (PHOTO)

"All-American Boy" singer Steve Grand went all the way for the ALS Ice Bucket Challenge, diving into Lake Superior after a performance in Minnesota wearing nothing but a smile.



"I don't always get naked, but when I do, it's for a good cause," Grand, deemed country music's first openly gay male star, wrote on Facebook. "I didn't want to waste fresh water (since there are so many without) so naturally, I jumped into Lake Superior, naked."



Grand shared a steamy photo of his brisk dive, and will also be donating money to ALS as well as two other charities he says he feels passionate about, including a local LGBTQ homeless youth charity. He joins a growing list of LGBT and queer-friendly celebrities, including Margaret Cho and Neil Patrick Harris, who've taken the ice bucket plunge.



Check out Grand au naturel below:
















Saturday, August 30, 2014

The 5 Sexiest Things About Richard Gere

Overnighters, Pump, Levitated MassSummerdoc Finale and Others

The Overnighters, Jesse Moss' much lauded film at Sundance, screened last night at Guild Hall, a finale for the Hamptons International Film Festival Summerdocs series. Thinking he was following the story of the many men who descended on North Dakota looking for work in the fracking boom there, Jesse Moss found a compelling central character, Pastor Jay Reinke, who took many of these migrants into his Lutheran church, much to the horror of the community. With a surprising reveal, the documentary demonstrates the power of non-fiction filmmaking to touch un-scriptable hidden truths. With the industry's large machinery cutting into the once spectacular landscape as backdrop, the film could have focused on the all too tragic toll of our country's dependence on oil, but instead it homes in on grim lives that are far removed from the riches of East Hampton, where a lavish pre-screening party at Mary Jane and Charles Brock's residence featured the magician Mark Mitton who made Hilaria Baldwin's mega carat diamond ring morph into one larger.



In an ideal bit of programming, The Overnighters would screen in a double bill with Pump, a film that addresses America's insistence upon autos fueled with oil when the film offers an obvious solution in cars either entirely or partially run by electricity or other solutions. Pump had a Southampton world premiere this week. No one missed the irony of a tony crowd pulling up to the estate of Katharina Otto and Nathan Bernstein for a poolside supper in gas driven vehicles. Telling the history of the American obsession with cars, Pump relates a little known story about Rockefeller, who stemmed the development of alcohol fueled automobiles by successfully pushing for Prohibition.



While it would be hard to say what was fueling the red truck transporting Michael Heizer's 340-ton boulder from its quarry in Riverside County, California to the Los Angeles County Museum of Art, there's no question that the journey caused quite a sensation. Larry Gagosian hosted a screening of Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture at Guild Hall last week attended by many art world East Enders; directed by Doug Pray and produced by Jamie Patricoff, the film of this rock's awe-inducing travels to its special installation at the museum provides its own jaw-dropping pleasures, not the least of which is learning more about a famously reclusive artist fascinated by geology and negative space.



A version of this post also appears on Gossip Central.

Taylor Swift Reportedly Joining 'The Voice' Season Seven As Advisor

Taylor Swift is reportedly coming to NBC's "The Voice," according to Us Weekly.



The 24-year-old singer is rumored to join the seventh season of the singing competition as an advisor to the contestants. Other advisors for the upcoming season include Stevie Nicks, Gavin Rossdale, country music group Little Big Town and Alicia Keys. Swift would also share the stage with "The Voice" coaches Adam Levine, Blake Shelton and newcomers Gwen Stefani and Pharrell Williams.



HuffPost has reached out to Swift's reps and NBC for comment and will update this post if and when one is received.



[via Us Weekly]



"The Voice" premieres on Sept. 22 at 8 pm. ET on NBC.

Here's How Americans Spend Every Minute Of Their Days

How many Americans are shopping, watching TV or working at any given moment of the day?



A new interactive chart, built by e-commerce company Retale using survey data from the Bureau of Labor Statistics, answers that question, depicting what Americans are doing in real time.



You can also see just how routines shift along age, gender and employment lines.



Explore the data below:



Retale.com




Further Proof 'Game Of Thrones' Is The Most Spectacular Show On TV

"Game of Thrones" may have been snubbed from the major Emmy categories this year, but it did take home one very deserving statue.



The HBO series won the award for Outstanding Special and Visual Effects, and if you have any doubt over why, this new video will reassure you. From Rodeo FX, this "Game of Thrones" special effects reel shows all the amazing work the company did on the series for Season 4. From revealing how they created Meereen and thousands of Unsullied to the gorgeous shots of Stannis' army invading Mance Rayder to the baby and the Night's King. If this doesn't prove just how visually amazing "Game of Thrones" is, nothing will.



[h/t EW]


Kathy Griffin's Naked ALS Ice Bucket Challenge Will Leave You Speechless

Not that comedians are supposed to lend dignity to the ice bucket challenge -- but ahem.



Former "My Life On The D-List subject and freq " Kathy Griffin went nude for her stunt to benefit research for the ALS Association.



While she's no stranger to partially undressing on television, this time she spared viewers of "Jimmy Kimmel Live" nothing, even spreading her legs at one point.



You do you, Kathy. You do you.



This is the one time we're thinking the censorship on "Kimmel" was totally necessary.

LeAnn Rimes Parties In A Bikini For Her 32nd Birthday

LeAnn Rimes dressed for the occasion when she celebrated her 32nd birthday on the beach on Aug. 28.



The singer and reality star rocked a black bikini under a flowy cover-up and a pair of shades:










Rimes also posted sweet shots as she cozied up to husband Eddie Cibrian:

















Oh, and FYI, you're never too old for a unicorn birthday cake:










Happy birthday!

Syfy Cancels 'The The Wil Wheaton Project'

Champion of nerds Wil Wheaton announced on his blog yesterday that his Syfy talk show, "The Wil Wheaton Project," has been canceled.

Amazon Reportedly Reviving Superhero Sitcom 'The Tick' With Patrick Warburton

Why are online television studios so amazing? Besides developing awesome original programming, they also like to like to grant a second life to cancelled shows.



Yahoo saved "Community" for its sixth season, Netflix gave "Arrested Development" a fourth season with Season 5 supposedly in the works and now Amazon is joining the TV revival club. According the People magazine, Amazon is reportedly bringing back Fox's cult comedy "The Tick."



The sitcom, created by Ben Edlund and based on his comic book of the same name, starred Patrick Warburton ("Rules of Engagement") as the titular blue antennae protector. The live-action superhero parody only lasted for nine episodes until Fox cancelled it in 2002, although the animated series based on the character ran for three seasons in the '90s.



Few details are known about the show's possible return, but People reports that Warburton has signed a deal to reprise his lead role with Edlund on board to produce and write. HuffPost has reached out to Amazon and Warburton's reps for comment. This post will be updated if and when it is received.



[via People]




Here's How Charities Choose Which Celebrities To Work With

It turns out that being a celebrity charity ambassador is about much more than attending galas and reading a script for a PSA.



In the Aug. 22 issue of the Hollywood Reporter, the entertainment source dissects what exactly goes into the process of celebrity-charity partnerships, and discovered industry executives have higher standards for their celebrity endorsers than some may believe.



Of paramount importance, charities look for signs of bona fide interest and knowledge about a cause, Margery Tabankin, a Hollywood philanthropic and political consultant, told the magazine.



"If somebody is going to talk about climate change, international relief work or public education and charter schools, they must really care and know the issue," she said.



And then there are those notorious names whose checkered reputations can do more harm than good. Chris Brown, Lindsay Lohan, Lance Armstrong, Naomi Campbell and reality stars won’t do much for a cause, sources told the magazine.



On the other hand, some celebrities have built their brands by having big hearts. Taylor Swift topped DoSomething.org's recent "Top 20 Celebs Gone Good" list for celebrating her 24th birthday by giving a $100,000 gift to the Nashville Symphony, and also raising awareness for youth homelessness. The members of One Direction, Beyonce, Paul Walker and Macklemore & Ryan Lewis rounded out DoSomething's top five.



Of course, there are some celebrities who have even taken extra measures and started their own charities. This week, Matt Damon raised awareness for both ALS and the nonprofit he founded, Water.org, by completing the ice bucket challenge with toilet water. The actor wanted to shed light on the 800 million people around the world without access to clean H20.



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Cee Lo Green Pleads No Contest To Giving Woman Ecstasy

Cee Lo Green just pled no contest in the case where a woman accused him of slipping her ecstasy ... and the plea allows him to maintain his innocence.


Bill Murray Takes Tickets At Baseball Game, Definitely Worth Price Of Admission

Bill Murray, part owner of the Minnesota minor-league baseball team St. Paul Saints, took tickets Thursday, Aug. 28, at the team's final game at Midway Stadium, outlets reported. And his work was a hit.





















Murray also caught the first pitch and heaved it into the stands ...







... and gave someone some face time.







Murray has reveled in other public situations of late. He crashed a bachelor party in South Carolina and gave some advice on finding the right person. He also photo-bombed a couple's engagement photo.



And now Murray's made another pitch to be a celebrity of the people.

Watch Vanessa Bayer Have A Complete Meltdown While Giving Sara Bareilles Advice

Janessa Slater, the "Sound Advice"-hosting alter ego of "Saturday Night Live" star Vanessa Bayer, isn't known for being particularly reasonable. But this time she completely loses it during a session with singer-songwriter Sara Bareilles.



Bayer's character in the series, shot for digital comedy network Above Average, is a socially awkward media coach with a bad habit of insulting her accomplished clients -- insults that the leather-wearing, super hardcore Bareilles is not about to take lying down.



Watch the video above for a hilarious dose of Bayer's "advice."

And Now: Here's Every Kid In Every Wes Anderson Movie Ever

Wes Anderson movies are known for sharing retro-inspired color palettes, zany characters, dysfunctional families, a flair for the exotic and romantic plots involving a young boy chasing a quirky girl.



The stand-up troupe UCB Comedy's Characters Welcome team has broken down the romances from pretty much every Wes Anderson flick. Comedian Matthew Starr plays the video's eponymous "Kid in Every Wes Anderson Movie." His character's name is Thomas E. Fredericks (the E is for echinacea), and he's a 14-year-old doorman in search of his lady love -- with his acoustic guitar and captain's hat in tow.



"I'm seeking a lady love," Fredericks says to the camera while strumming an acoustic guitar.



"She's definitely a girl," he decides. "So she likes all of the things that girls like. Like cigarettes and binoculars. And she's definitely wearing a beret, and she has a wooden finger or a wooden toe or a glass eye. I'm not picky. And she definitely has a dead husband, who died exploring the Antarctic or some bullshit."



Eventually, he finds out his lady love is actually standing right next to him. Her name is Coriander, obviously, and she can only be contacted by carrier falcon.



Yep, that's an Anderson kind of girl.

Rihanna Spends Her Vacation In A Bikini

In case you needed further proof that Rihanna's life is cooler than yours, here are some awesome vacation photos she shared on Twitter on Aug. 28 that will leave you with zero doubt.



Here she is making history for being the first person to make binoculars look cool:










Then, when that got old, she chilled out with a glass of wine on her yacht because she's fabulous:










Later, Rihanna slipped into a yellow bikini and casually mentioned snorkeling in pirate caves:










Rihanna just wrapped up her Monster Tour with Eminem and is clearly taking some time to relax. We'd be lying if we said we weren't jealous!

Latest 'American Horror Story: Freak Show' Teaser Is Seriously Twisted

If you thought the "American Horror Story: Freak Show" teaser with the three-legged acrobat from earlier this week was crazy, this new one is even crazier.



The latest teaser for "AHS," revealed by Entertainment Weekly, shows a female contortionist lifting her feet backwards towards her head until -- wait, she has a third leg too! Apparently there are a lot of women with three legs in Ryan Murphy's carnival universe, but we're okay with that (this is a freak show, guys).



In case you missed the other creepy new teasers for the upcoming fourth season, there was also a man with a split tongue, an odd-looking hand and the very first look at the cast in costume.



After all these teasers, we have a feeling that Murphy and FX are planning to drop the first official trailer soon. Till then, keep enjoying the brief glimpses at the freak show that's to come.



[via EW]



"American Horror Story: Freak Show" premiere on Oct. 8 on FX.

Hip-Hop Moves As Strong Force For Michael Brown

NEW YORK (AP) — Rappers are making their voices heard in song and on the ground in Ferguson, Missouri, in the wake of Michael Brown's shooting death, channeling hip-hop's earlier roots when the genre worked as a voice for the oppressed and spoke out against injustice.



"It's really important to see hip-hop's role of being some grown-ups and doing some really stand-up, grown-up stuff," Public Enemy's Chuck D, one of rap's most powerful voices, said in a recent interview. "These people have actually stood up ... and that has to be saluted." The Rock and Roll Hall of Famer said he's impressed with rappers such as J. Cole, who released a heartaching, tearful song called "Be Free" inspired by Brown, the unarmed 18-year-old who was shot to death by a Ferguson officer on Aug. 9.



Others in rap also have lifted their voices: Talib Kweli, like J. Cole, marched in Ferguson and spoke out about injustice; David Banner appeared on CNN; Nelly started a scholarship for teens in honor of Brown; and Lauryn Hill dedicated her song "Black Rage" — which uses some of Rodgers and Hammerstein's "My Favorite Things" — to the Ferguson community.



"When the dogs bite, when the beatings, when I'm feeling sad I simply remember all these kinds of things and then I don't feel so bad," she sings.



The largest hip-hop gesture for Brown, who was an aspiring rapper, came Wednesday when the Game released the song "Don't Shoot," in which he's joined by all-stars like Diddy, Rick Ross and 2 Chainz, among others. Sales from the song will benefit the Mike Brown Memorial Fund on GoFundMe, which has raised nearly $300,000 in two weeks.



"I wanted to do my part in bringing awareness to it, so that at the end of the day that I can sleep well knowing that I used my voice correctly," the Game said in an interview Thursday.



Other black entertainers have spoken out including Kerry Washington, Jesse Williams and Spike Lee, who attended Brown's funeral on Monday. At a concert last week where he performed Marvin Gaye's seminal "What's Going On?" at the Hollywood Bowl, John Legend wore a shirt that said "don't shoot."



While a number of members of the rap community have come out in support of Ferguson — including Russell Simmons, Killer Mike, Young Jeezy and Wiz Khalifa — others have wondered if hip-hop's most prolific and popular stars will chime in, from Jay Z to Pharrell to Kanye West to Lil Wayne.



"I don't believe everyone has a role for this, and I also don't believe quantity takes over as quality. I think we have a quality combination in there," Chuck D said.



Though hip-hop has been criticized for glorifying sex and violence, its musicians have a history of standing up against perceived injustice, especially in the genre's early years, with songs like "Fight the Power" and "The Message." A more recent example came after Trayvon Martin's death in 2012.



Last week, T.I. released the song "New National Anthem," which he wrote after the July 2013 acquittal of George Zimmerman in the killing of 17-year-old Martin. He says he hopes to start a dialogue between the community, city leaders and police.



"This is not to divide race, color, generation, region. This is not to incite or encourage people to go against to the police. This is to bring about change by way of creating awareness of the current status in America in these inner city areas for our young black men and young black people," the rapper said in a recent interview.



T.I. said songs like his and J. Cole's can serve as a voice for those who don't have a platform like famous rappers.



"We are the voice for those without a voice," he said. "Our messages reach the ears of people that most common men in America can't reach, and I think that has to be used to the advantage and the greater good of the masses."



___



AP Entertainment Writer Ryan Pearson contributed to this report.



___



Follow Mesfin Fekadu at http://ift.tt/Xrh0AP

Best Tweets: What Women Said On Twitter This Week

This week started off with a rather underwhelming Emmys Awards show. "Orange Is The New Black" was royally snubbed and Sofia Vergara was spun around on stage as “something compelling to look at."



Kate Spencer weighed in on the sexist schtick, tweeting: "'Work hard,' I whisper to my daughters. 'And one day you too could be honored for your talent by being rotated on a platform on live TV.'" Great life lesson right there.



In other news, everything we've ever known is a lie: Hello Kitty is not a cat. Rivka Rossi offered one solution to the Internet's misery: "There should at least be a Hello Kitty emoji now for everyone's loss." Emojis do solve everything.



For more great tweets from women, scroll through the list below. Then visit our Funniest Tweets From Women page for our past collections.






















































































































Here's A Labor Day TV Marathon Guide, Because This Holiday Shouldn't Require Any Labor

Monday, Sept. 1, is Labor Day, a day on which we honor worker associations in America, or to be totally honest, a day we spend being incredibly lazy.



Some see it as the last day of summer, at least the last day to take advantage of summer activities sans work. But if you're not spending it on vacation, at the beach or at a barbecue, then your favorite TV networks have you covered. From "Law & Order" and "Friends" to the original "Star Trek" movies and "Tosh.0," there are plenty of TV marathons to spend your Labor Day watching. The hardest work you'll be doing on Monday is deciding which shows to watch.





"Rizzoli & Isles" on TNT

Spend your day off with everyone's favorite female crime-solving duo, Detective Jane Rizzoli and Dr. Maura Isles. TNT is running a marathon of the show all day starting at 11 a.m. ET.



"The Knick" on HBO

Don't have Cinemax to see Steven Soderbergh's new series? No problem, HBO has you covered. The new show stars Clive Owen as a surgeon at New York City's Knickerbocker Hospital in 1900 and is a must-see for anyone who has a stomach for gore and a penchant for gorgeous shot period dramas. Catch the first three episodes on HBO starting at 8 p.m.



"NCIS" on USA

"NCIS" and marathon are two words that were made for each other. Don't act like you won't be spending your Monday watching this police procedural, we know you will. It all kicks off at 6 a.m.



"18 Kids and Counting" on TLC

If you can't get enough of the Duggar family then this is the marathon for you. Starting at 1 a.m. (yes, you can stay up all night!), TLC is having a marathon of "18 Kids and Counting."



friends



"Friends" on TBS

After that "Friends" reunion on Jimmy Kimmel earlier this week, we bet you're dying for a "Friends" binge-watch. Luckily, TBS has you covered with a marathon on Monday kicking off at 4 p.m.



"Rambo" film series on AMC

"First Blood" kicks off the marathon at 12:30 p.m., followed by the sequel, "Rambo: First Blood Part II" and "Rambo III." It starts all over again at 7 p.m., just in case you missed them earlier (or if you're a really, really big "Rambo" fan).



"Tosh.0" on Comedy Central

It's never too early for Daniel Tosh, is it? (Okay maybe). Still, you can watch all the raunchy humor "Tosh.0" has to offer on Labor Day thanks to an all-day marathon beginning at 10 a.m.



"Dirty Jobs" Animal Planet

What is the most ideal way to spend a day that celebrates workers? Watching a guy voluntarily working alongside people doing some of the worst, grossest and most bizarre jobs imagine. Sit on your couch at 9 a.m. and celebrate Mike Rowe and he goes to work so you don't have to.



"Criminal Minds" on A&E

National holidays were made for binge-watching crime shows. Get all the "Criminal Minds" you could ask for on Monday starting at noon on A&E.



mike and molly



"Mike and Molly" on FX

There's few people better than Melissa McCarthy to get you laughing. This CBS sitcom costarring Billy Gardell kicks off its marathon at noon on FX.



"Star Trek" movie marathon on SyFy

The marathon starts off with the first film in the original franchise, "Star Trek: The Motion Picture," then continues on to "The Wrath of Khan," "The Search For Spock," "The Voyage Home," "The Final Frontier" until finally ending on "The Undiscovered Country." Get ready to wake up early Trekkies, this marathon beings at 8:30 a.m.



"Batman" on IFC

The original "Batman" series is getting a marathon on IFC this Labor Day, and we couldn't imagine a better way to spend it. Follow Batman and Robin on their adventures starting at 12:20 p.m.



"Law & Order: Criminal Intent" on Cloo

A Monday holiday without a "Law & Order" marathon is no holiday at all. Binge your heart out with this "CI" marathon beginning at 6 a.m. on Cloo.



"Fast N' Loud" on Discovery

Every car-lovers dream comes true on Monday when Discovery's reality series "Fast N' Loud," starring motorheads Richard Rawlings and Aaron Kaufmann, gets a marathon. Join them starting at 9 a.m. as they search the country for classic cars.



"A Crime To Remember" & "Deadly Devotion" on Investigation Discovery

Real-life crime show junkies are in for a treat with marathons of both "A Crime to Remember" and "Deadly Devotion." The former show recreates real-life murders from the 1950s and '60s, while "Devotion" follows the true stories of people living in bizarre subcultures in America. It all kicks off at 6 a.m.



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"Don't Be Tardy" on Bravo

If you're itching for some "Real Housewives" drama on your day off, fear not. Bravo is showing a marathon of former "Atlanta" star Kim Zolciak's show "Don't Be Tardy." It all begins at 6 a.m. with episodes from "Don't Be Tardy From the Wedding."



"Friday Night Tykes" on Esquire

Eqsuire's docuseries "Friday Night Tykes" follows the eight and nine year olds in the Texas Youth Football Association. Follow the young footballers starting at 11 a.m. on Monday.



"Pawn Stars" on History Channel

This addicting reality series is getting an all-day marathon on the History Channel. Watch it all starting at 10 a.m. as it leads up to two new episodes of "Pawn Stars" at 8 p.m.



"UFO Files" and "UFO Hunters" on H2

The History 2 network will show back-to-back episodes of "UFO Files" followed by back-to-back episodes of "UFO Hunters throughout Labor Day starting at 10 a.m. What's better way to spend a day off than with some alien investigations?



"The Waltons" TV movie series on The Hallmark Channel

Episode of "The Waltons" followed by 1982's "A Wedding on Walton's Mountain," "Day for Thanks on Walton's Mountain," 1993's "A Walton Thanksgiving Reunion," 1982's "Mother's Day on Walton's Mountain" and 1997's "A Walton Easter."



"Preachers of L.A." on Oxygen

Oxygen's series follows three Bishops and three Pastors living in Los Angeles and their lives in the church and at home. Catch an all-day marathon of the show starting at 2 p.m.





Bonus: Saturday Marathons



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"Saturday Night Live" on TV Land

Watch 12 hours of the beloved sketch comedy show, including favorite episodes hosted by Justin Timberlake, Jerry Seinfeld, Tina Fey, and "Best Of" specials of Alec Baldwin, Amy Poehler and Jimmy Fallon. This "SNL" marathon, beginning at 11 a.m. on TV Land this Saturday, Aug. 30, will definitely hold you over until it returns this fall.



"Lord of the Rings" Trilogy on TNT

J.R.R. Tolken fans, get excited for this holiday weekend. TNT is hosting a "Lord of the Rings" marathon in Saturday with "The Fellowship of the Ring" kicking things off at noon, followed by "The Two Towers" and "The Return of the King."

The Venice Diaries: Theeb, How the World Will End, and There's an App for That!

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Andrew Garfield and Michael Shannon in a scene from Ramin Bahrani's 99 Homes





Would you use an app that sends a message to other users in the area so they could go break up with your boyfriend, or propose to your sweetheart? Well, artist/filmmaker and writer Miranda July thinks you should. And not only has she filmed a profoundly humorous 10-minute film for the 'Miu Miu Women's Tales' series about this very concept, she's also built the app to go along with the film. This app is available for free and is called Somebody, just like the short.



I simply had to watch the film, which is charming, funny, beautiful and perfectly acted (July is also featured and lights up the screen) and I also couldn't wait to hear her talk. I got my wish, when she participated in a discussion about the series along with fellow filmmaker So Yong Kim who made the stunningly filmed Spark and Light , inside the Excelsior Hotel -- organized by Giornate degli Autori/Venice Day. While Kim is thoughtful and introspected, like her deliciously atmospheric films, July was quick and free, coming up with statements like "women are seen as these big bundles of bloody feelings."



Kim shot her film in Iceland, while July choose a very urban setting, both perfect locations for each of their oeuvres. Kim disclosed that although when first approached the concept was a bit intimidating, after watching the first six films in the series, she realized "I could fit in because each film was so different from the other." July's initial reaction was what she called "very 12-year old girl. I was like, Miu Miu!! Prada!" Personally, I'll always keep in mind a motto that came out of this simple conversation between two exceptional artists "women are more interesting. It's a power. Fascinating when they are powerful, and denigrated as a result," as July pointed out.








It was also wonderful to meet some of the individuals in the 28-member jury that will decide the Venice Days prize later in the festival. All young, vibrant members of the movie-watching audiences from the European community. And within their hands lies the future of cinema!



Later, it was time to meet a dear friend who is helping to coordinate the logistics for the members of the various juries, while they're in Venice. Apparently, the fans here have been getting a little unruly, lying down on top of celebrities' cars, and even going as far as tearing one Italian actor's tuxedo sleeve right off. I have to say that the security guards in the Excelsior look very well placed and attractive, but they don't seem prepared for celebrity protection details. Just try to ask one for directions...



In the afternoon, time for some celebrity sightings of my own, at the 99 Homes press conference. Am I the only woman on earth who didn't know that Andrew Garfield is British? Yes, The Amazing Spider-Man himself talks in the Queen's English! After I recouped from the initial shock (hence missing the first few statements about Ramin Bahrani's deep and disturbing film) I finally concentrated on business at hand. The film features wondrous performances by Garfield and Michael Shannon, a script co-written by legendary Iranian filmmaker Amir Naderi and is executive produced by personal favorite Mohammed Al Turki. A social, scathing commentary on the economics of the haves-and-the-have-nots in the U.S., 99 Homes shows off a Garfield all for us grown ups and Shannon doing what he does best.



Filmmaker Bahrani uttered my other favorite quote of the day when he announced that "the world will end in one vulgar and obscene selfie." Garfield kept up with his wise filmmaker by supplying great headlines grabs like "I'm genetically predisposed to become a father," and, when asked about his abundant facial hair, "it's my point of pride; I never thought I'd go through puberty." Shannon, in his irreverent tone, brought the attention back to the tragic theme of the film by stating "I find mortgages suspicious, and then this proved it."



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A scene from Rakhshan Banietemad's Ghesseha (Tales)





Running from the press conference to the Villa GQ across the canal (it's only five minutes away, sounds much farther than it is), I ran into a few photographers giving the Palazzo del Festival guards a hard time. Honestly, I don't see how they could pick a fight with some of the most welcoming, kind, polite security personnel I've ever come across. But then again, these are the same photographers who don't think twice of shoving aside regular people to get a celebrity shot and stalking their prey for that perfect gossip magazine photo. I'm not a big fan of the paparazzi...



Interviewing Iranian filmmaker Rakhshan Banietemad, in Venice 71 with Ghesseha (Tales) her return to the narrative format, I spent some moments of contemplative peace. The energy of this legendary director proved an oasis of calm and wisdom and I'll always remember the green setting of the Venetian villa highlighting the depth of our conversation (which included actor and casting director for Tales Habib Rezaei). We touched upon Iranian cinema, what it's like to be a woman filmmaker in a country that has celebrated the seventh art made by our gender for decades, and the toll children pay for the embargoes caused by leaders and governments.



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A scene from Naji Abu Nowar's Theeb





The day ended in the magical company of the Theeb crew. I remembered meeting co-producer and co-writer Bassel Ghandour at last year's Abu Dhabi Film Festival and his down-to-earth energy, his easy way left me impressed. The film, of course, is very high up on my list of must-watch here in Venice and the post-production help provided by the awesome SANAD fund is just the icing on the cake.



Although I've yet to watch it, Theeb seems a perfect blend of epic adventure and thoughtful human tale set among the Bedouins in 1916, somewhere in a forgotten corner the Arabian desert. And if the crew -- which includes Jordanian director and writer Naji Abu Nowar, co-producer and editor Rupert Lloyd, Yanal Kassay the film's associate producer and first assistant director and assistant editor Shahnaz Dulaimy -- are any indication, the film is going to be magnificent.



Images courtesy of the filmmakers, used with permission.