Saturday, February 28, 2015

Kirby Dick and Amy Ziering Target The Hunting Ground






Director Kirby Dick and producer Amy Ziering, whose 2012 documentary The Invisible War took a look at the epidemic of rape within the American military and won 2014 Emmy Awards for Best Documentary and Outstanding Investigative Journalism, Long Form; a 2013 Peabody Award; and the 2012 Sundance Film Festival Audience Award. It was also nominated for an Academy Award for Best Documentary Feature. They now shift the focus to sexual assault on the American college campus with their new film, The Hunting Ground, a Radius TWC release which premiered at the 2015 Sundance Film Festival and opened in theatrical release February 27.



Among the sobering statistics documented in the film are the following:



1. One in five college women will be sexually assaulted.

2. One in 33 college men will be sexually assaulted.

3. Only five percent of campus assaults are reported.

4. Experts say false reports account for only two to ten percent of charges made--meaning between 90 and 98 percent are true.

5. As many as 90 percent of reported assaults are acquaintance rapes.

6. Serial predators are responsible for 91 percent of all sexual assaults on campus.

7. Serial predators will commit an average of six assaults during their college years.



Kirby Dick and Amy Ziering sat down recently to discuss these and other disturbing facts about The Hunting Ground. Here's what transpired:



This is an unofficial sequel, in many ways, to The Invisible War.



Amy Ziering: Yeah, it indirectly came out of that film, but when we were taking Invisible War around college campuses, after nearly every screening, people would approach us and say that what happened to these people in the military happened to them on campus. Then we started getting emails about the same thing. We were surprised about this, and didn't realize it was as big a problem as it was, so we decided to jump into it and make this film.








You profile two very brave women, Annie Clark and Andrea Pino, who were victims of sexual assault on their campus, and they become the main focal point of the film.



Kirby Dick: When we were researching, we did so all over the country and Annie and Andrea had just filed their Title IX complaint and were just starting to speak about this issue as a national one. We could see that they really wanted to change things not just at UNC Chapel Hill, but at schools across the country. Our very first shoot involved them and two other activists from the Know Your IX organization. We wanted to start following them because they were very ambitious and dynamic and to be fair, we had no idea they'd be so successful. We didn't think that a year and a half later as a result of their work and those like them, that sexual assault on college campuses was a topic that would be debated nationally and they'd be invited to the White House. It was really exciting to see their story develop.



It was nice to see their argument finally being given credibility. Do you see the problem being a geographical one, say more so in the south or the west, or is it just universal?



KD: Definitely universal, or national. And it's not limited to secular schools versus religious schools, either. It's a problem everywhere, from Berkeley, to Harvard, to Florida State. If people try to minimize it by saying it's a regional problem, they're really missing the big picture. Also, we have to remember that many of the statistics might not be accurate, in the sense that they're most likely far worse, because many schools choose not to have those statistics taken on their campuses. And until they start having these surveys and getting those statistics out to the public and their students, they're still participating in a kind of cover-up.



The other thing that struck me is that the men who are guilty of these assaults are predators in the truest sense of the word. Is there any evidence to indicate that a person is born with this kind of psychological wiring?



AZ: That's another film unto itself: how to identify a serial predator and I don't know that either one of us are experts enough to expound on that. But what is revelatory in our film and what we want the public to understand is that most men don't commit rape, and if these predators are able to embed themselves in institutions that enable them to do so with impunity, then they'll continue to do so ad infinitum. So that's the story that we're telling and what our focus should be: that if we put in place good procedures to investigate and adjudicate these crimes, then you can radically reduce their numbers.



Let's talk about what some of those solutions are.



KD: Schools have to prioritize. This is not a mid-level bureaucratic problem, this should be their number one or two priorities and it should be matched by dollars. They should put money into these investigative systems they have. They should professionalize them. The end result of that will be that more people will feel confident to report these incidents and the more people that report, more perpetrators will be caught and prosecuted and for those few cases of people who are falsely accused, there will be a more robust system in place to protect them, so it's better all the way around. Also, going back to surveys, Senator Gillibrand and Senator McCaskill's bill has a lot of great reforms including memorandums between local police and colleges and universities so they can work more closely together on these things. There's a tendency on many campuses now to discourage people from going to the police. This will give them an option and if they decide to go to the police, they'll be supported instead of discouraged.



Terry Virts Tweets Touching Tribute To Leonard Nimoy From Outer Space

While orbiting around Earth on the International Space Station, American astronaut Terry Virts took a minute to pay fitting tribute to Leonard Nimoy, who died on Friday at 83. The late actor's home state of Massachusetts can be seen just to the right of Virts' Vulcan salute.










Nimoy, of course, will forever be known as Mr. Spock from the original "Star Trek" series. On Friday, NASA acknowledged how influential that show had been for generations of astronauts:






Leonardo DiCaprio To Play Multiple Personalities In New Film

Leonardo DiCaprio could play 24 different personalities in the upcoming film "The Crowded Room." According to The Hollywood Reporter, DiCaprio's production company Appian Way and New Regency are coming together to produce it.



The movie will reportedly be adapted from the Daniel Keyes' nonfiction book "The Minds of Billy Milligan." Keyes tells the story of Milligan, a man who went on trial in the '70s for three rapes. He was the first person to successfully use multiple personality disorder as a defense.



DiCaprio and New Regency also teamed up recently on the film "The Revenant," which is due out next Christmas. That project includes "Birdman" director Alejandro González Iñárritu and actor Tom Hardy.



For more, head to THR.

Did Ryan Gosling Get A Tattoo For His Daughter?

Fatherhood is bringing out yet another adorable side of Ryan Gosling. On Friday, the handsome actor ran errands in LA looking like his typical scruffy self, with the exception of one detail: part of his daughter Esmeralda's name was written on his left hand

Margot Robbie Slapped Leonardo DiCaprio During Her 'Wolf Of Wall Street' Audition

How does one break into Hollywood? For buzzy star Margot Robbie, it's by slapping one of the world's most famous celebrities.



In an interview with Harper's Bazaar UK, the star opened up about the untraditional audition that led to her career-launching role as the wife of Leonardo DiCaprio's character in "Wolf of Wall Street."



Robbie recalls auditioning with a scene in which her character and DiCaprio's character are in the midst of an argument.



In my head I was like, 'You have literally 30 seconds left in this room and if you don’t do something impressive nothing will ever come of it. It’s a once-in-a-lifetime chance, just take it.' ... So I walk up really close to his face and then I’m like, 'Maybe I should kiss him. When else am I ever going to get a chance to kiss Leo DiCaprio, ever?' But another part of my brain clicks and I just go, Whack! I hit him in the face. And then I scream, 'Fuck you!' And that’s not in the script at all. The room just went dead silent and I froze.





As it turns out, director Martin Scorsese and DiCaprio loved it, and now Robbie is Hollywood royalty.



H/T Celebuzz

Sharon Osbourne And Melissa Rivers Comment on Kelly Osbourne's Exit from ‘Fashion Police'

Sharon Osbourne and Melissa Rivers have both commented on Kelly Osbourne‘s exit from E!’s "Fashion Police."

'Adventure Time' Is Being Turned Into A Movie! Oh My Glob!

Mathematical!



The land of Ooo is now coming to a theater near you. According to Deadline, the hit Cartoon Network show "Adventure Time" is being developed by Warner Bros. as an animated feature. Show creator Pendleton Ward is reportedly involved in the project, while Roy Lee and Chris McKay from "The Lego Movie" are set to produce.



There have been rumblings about an "Adventure Time" feature film for a while, with the show's executive producer Adam Muto even saying he'd like to see a live-action movie, but now the project has finally been confirmed. Though the new movie will be animated, those interested in seeing a live-action version of the show can always check out Gritty Reboots' fan-made movie trailer.



Warner Bros. did not immediately respond to a request for comment from HuffPost Entertainment.





Image: Giphy



For more, head to Deadline.

In Praise of Bollywood on Netflix

After you've watched season three of House of Cards, then what? You've already seen most of the big or good movies on Netflix, and watching their other movies is mostly an exercise in "This could have been okay with a rewrite or if the entire cast and crew had decided to make an entirely different movie." And binge-watching old TV series makes me feel as if I'm not milking Netflix for maximum value.



Let me suggest trying some of Netflix's selection of Bollywood movies. I've recently watched a bunch of these, and at the very least, they're more compelling than some Nicholas Cage-paying-off-his-debt-to-the-IRS medieval action flick.



The Indian film industry grosses about a quarter of what the US film industry does, in a country where average income is a tenth of US average income. Which is to say, the Indian film industry isn't just dicking around. Movies are a big deal in India, and their production values are high.



India has four times the population of the US, and out of that huge population, there are some really good-looking performers with awesome hair. In the dance numbers, the stars are blasted with wind machines for maximum hair action. Plots and dialogue can sometimes seem a little elementary, perhaps to appeal to the widest-possible swath of India's huge population, but the average Indian film on Netflix is no more dumbed-down than the average American film.



Indian films on Netflix are in Hindi, with subtitles. But about a third of the dialogue is in English, switching back and forth from Hindi sometimes several times in a single sentence. It seems as if everyone in India is wildly bilingual. Makes you feel as if you almost understand Hindi (you don't). The liberal sprinkling of English means you don't have to pay as much attention to the subtitles as in most foreign movies.



The movies are long. Some run two-and-a-half hours - perfect for multitasking. Many of Netflix's Indian movies are from Yash Raj Films, India's largest film production company. Its productions are slick, expensive, and entertaining. Yash Raj films I've liked include Daawat-e-Ishq, Mardaani, Bewakoofiyaan, Band Baaja Baaraat, Dhoom 3, Ladies vs. Ricky Bahl, and Rocket Singh: Salesman of the Year.



A few observations based on Indian movies -

Walk-through metal detectors in public spaces are common, because of terrorists, I guess.

People ride motorcycles and scooters as regular transportation, rather than as some lifestyle statement, often riding double. (India has nearly 200,000 traffic deaths per year.)

Wealth, poverty and corruption are constantly lurking subtexts.

In Indian cop movies, the police are brutal.

Weddings are a big deal.

The India we sometimes see in American movies - crowded and dirt-poor, with skinny cows wandering everyplace - is not Indian movies' India, which can be spacious, modern, and educated - a country which could eventually challenge us as a world superpower if we don't get off our complacent, science-denying butts.



Also - if you haven't yet watched BoJack Horseman on Netflix, c'mon already - it's a little slice of dysfunctional Hollywood heaven.

William Shatner Tweets His Regrets That He Can't Attend Leonard Nimoy's Funeral

William Shatner took to Twitter on Saturday to express his regret over having to miss Leonard Nimoy's funeral.



Though the two "Star Trek" actors were very close friends, Shatner explained in a series of tweets that he won't be able to attend Nimoy's funeral on Sunday, due to a previous commitment to appear at the Red Cross Ball in Florida Saturday night. Though he will not be present at the funeral, Shatner said he plans to honor Nimoy's life from afar.































Shatner and Nimoy starred as Captain Kirk and Mr. Spock, respectively, on the "Star Trek" television series and in multiple feature films. Nimoy died Friday at his home in Los Angeles, at the age of 83. Following the announcement of Nimoy's death, Shatner released a statement expressing love for his longtime friend.



"I loved him like a brother," he said. "We will all miss his humor, his talent, and his capacity to love."

Aaron Schock Repays $40,000 For 'Downton Abbey' Office Decor

WASHINGTON (AP) — Illinois Rep. Aaron Schock repaid $40,000 from his personal checking account for redecorations to his congressional office in the style of the TV show "Downton Abbey," according to financial records reviewed by The Associated Press.



Schock paid $35,000 earlier this month to the owner of the Illinois decorating firm Euro Trash, and $5,000 more on Thursday, the records showed. His official House expense account had previously paid the group for its services.



Schock, a rising star in the Republican Party, has been under scrutiny for using taxpayer money to pay for the redecorating, as well as using his official and campaign funds for flights on donor-owned planes and concert tickets.



The Washington Post was first to describe the office decorations in early February. A watchdog group has since requested a House ethics review of the congressman's spending.



Schock's office said Friday his payments made good on an earlier promise to personally shoulder the costs of the office renovation. Schock wrote two checks — for $25,000 on Feb. 4 and $10,000 on Feb. 6 — to Tracy "Annie" Brahler, owner of Euro Trash. He wrote a third check for $5,000 on Thursday.



"Congressman Schock has fulfilled his commitment to pay for all the renovation costs," his office said Friday in a prepared statement. It said that while congressional office costs are usually paid from office expense accounts, "the congressman believed it appropriate to pay these costs himself."



Schock, 33, is in his fourth term representing the Peoria and Springfield areas.



This week, Schock brought on board a team of campaign finance lawyers and public relations experts to address the controversy about his expenses. His financial charges — including the use of his donors' private aircraft and concert tickets — were detailed by the AP and other news organizations since news of the decoration work became public.



An AP review this week identified at least a dozen flights worth more than $40,000 on contributors' planes since mid-2011, tracking Schock's reliance on the aircraft partly through the congressman's pictures uploaded to his Instagram account. The AP extracted hidden location data associated with each image; it then correlated it with flight records showing airport stopovers and expenses later billed for air travel against Schock's office and campaign records.



Lawmakers can use office funds for private flights as long as payments cover their share of the costs. But most of the flights Schock covered with office funds occurred before the House changed its rules in January 2013. Those earlier rules prohibited lawmakers from using those accounts to pay for flights on private aircraft, allowing payments only for federally licensed charter and commercial flights.



Schock previously told the AP he travels frequently throughout his Peoria-area district "to stay connected with my constituents," and that he takes compliance with congressional funding rules seriously.



Schock also spent thousands more on tickets for concerts, car mileage reimbursements — among the highest in Congress — and took his interns to a sold-out Katy Perry concert last June.



His office is still reviewing those transportation and entertainment charges.



The Post first reported that Brahler donated her services as she decorated Schock's Washington office with red carpet and red walls accented with antique-looking frames and sconces reminiscent of "Downton Abbey." The popular PBS show depicts the lives of aristocratic families and their servants in 1920s England.



Brahler refunded to the U.S. government $35,000 paid to her from Schock's congressional office expense account, records show, within days of the Post's report.



A liberal-leaning group, Citizens for Responsibility and Ethics in Washington, had requested an investigation by the Office of Congressional Ethics, an outside panel that reviews ethics complaints against House members.



___



Follow Jack Gillum on Twitter: http://ift.tt/1iY05wa

Michelle Rodriguez Has An Uncommon Take On Diversity In Hollywood

Michelle Rodriguez has a different take in the lack of diversity in Hollywood: she thinks it's ridiculous to make things right by making superheroes less white.

7 'Game Of Thrones' Theories So Crazy They Have To Be True

Warning! This post is dark and full of spoilers!



You know nothing about crazy, Jon Snow.



By now most "Game of Thrones" fans have heard about "R + L = J," a theory about Jon Snow's true parentage. Many fans are also aware of various other theories, like how Tyrion may not really be a Lannister. These have been widely accepted, but they're just a few of the many theories out there. Yeah, a lot of theories are easy to dismiss right away. But the craziest thing of all is that some of the wildest actually make a lot of sense.



Here are seven "Game of Thrones" theories that are so crazy they have to be true:



1. Robb Stark is alive






What we're supposed to believe:
The King in the North was betrayed by the Freys and the Boltons at the Red Wedding, which led to his death, his mom's death and freakouts across the Internet.



The theory:
Robb Stark is about to send his regards to the Lannisters. The Starks clearly have an uncanny ability to warg into animals. The theory, which can be found on various fan message boards, states that before Robb's death he warged into his direwolf, and later into some other kind of animal when the wolf was killed. There's actually evidence that this is possible, as shown by the wildling Orell, who wargs into an eagle as he dies.



2. The true identity of Jon Snow's parents is not R + L = J


snow



What we're supposed to believe:
"R + L = J" argues that Rhaegar Targaryen and Lyanna Stark are Jon Snow's real parents. It's believed that it was Lyanna's dying wish for Eddard to claim Snow as his own to protect him. Plus, Eddard is pretty much the most honorable dude around. Could he really cheat on Catelyn?



The theory:
Hells yeah he cheated on Catelyn. George R.R. Martin has said he doesn't think there are characters in the story who are "wholly good or wholly evil." Well, except for Eddard Stark, right? Unless, of course, he is actually Snow's father. If so, Snow's real mother could be Lady Ashara Dayne or even the wet nurse Wylla, who is actually mentioned in the show.



3. Jon Snow will become a White Walker






Image: Giphy


What we're supposed to believe:
Jon Snow is pretty much running the show at the Wall at this point. New clips show him seemingly trying to get Mance Rayder on his side in the fight against the White Walkers. The guy just doesn't like them.



The theory:
The book series is called A Song of Ice and Fire. If Daenerys and her dragons are the fire, what's the ice? As noted above, Martin has said his characters aren't all good or all evil. Considering some events that occur in Martin's novel A Dance with Dragons, it's theorized that Snow will join up with the White Walkers in the fight against House Targaryen.



4. Jamie and Cersei are Targaryens


jaime



What we're supposed to believe:
Jamie and Cersei are a couple of twins who have carried on a seriously disturbing incestuous relationship for years, and their father either didn't know or never acknowledged it. This relationship results in three kids who should clearly not be sitting on the Iron Throne.



The theory:
In the books, it's stated that the Mad King Aerys took some liberties with Tywin Lannister's wife, Joanna, on Tywin's wedding night. Also, as Reddit user tuna_HP points out, there are hints in the books that seem to support the idea that Cersei and Jaime might not be Tywin's. This can be seen in a statement said to Jaime by his aunt:



Tyrion is Tywin's son, not you. I said so once to your father's face, and he would not speak to me for half a year. Men are such thundering great fools. Even the sort who come along once in a thousand years.





This, along with the fact that incest was a pretty common thing with the Targaryens, has led many to believe that perhaps Jaime and Cersei aren't Lannisters after all. If that's true, Cersei's children might actually have a claim on the kingdom, and Jaime would be a kinslayer, not just a Kingslayer.



5. Syrio Forel is Jaqen H'ghar




syrio



What we're supposed to believe:
Syrio Forel, the former First Sword of Braavos, becomes Arya's swordfighting "dancing" instructor and dies offscreen while defending her from Lannister guards following Eddard Stark's arrest. He must be dead, because Ser Meryn Trant, one of his adversaries, continues to appear in the series, and that dude seems fine.



The theory:
Syrio Forel is actually one of the Faceless Men from Braavos -- i.e., an assassin who can change his appearance. If that's the case, it wouldn't be much of a stretch to suppose that Forel is also Jaqen H'ghar, the Faceless man who killed three people for Arya. It makes sense. As this Dorkly video points out, both Forel and H'ghar are from Braavos, they both offer Arya their help and they both call her "boy."



6. Eddard Stark is alive


eddard



What we're supposed to believe:
Eddard Stark is accused of treason. Then, after Joffrey decides to be the gracious king he is, the Stark patriarch loses his head and the world goes nuts.



The theory:
What if it wasn't Eddard who was killed that day? If Forel was in fact a Faceless man, he could've changed his appearance and taken Stark's place, and there's always that whole Stark warging thing. Could Ned do it too?



Users on A Forum of Ice and Fire have marshaled what they claim is evidence from the book series that Eddard is alive, including Sansa not necessarily recognizing his face after his death and Catelyn's comments about his bones not appearing how she expected. Though if Joffrey did have the real Eddard killed, it offers a good excuse to watch this:





Image: Giphy




7. "Hodor" has a secret meaning that could change everything




hodor



What we're supposed to believe:

Hodor is a simpleton who is loyal to the Starks. He's just this awesome guy who carries Bran around and can only say "Hodor," which can pretty much mean anything.



The theory:
Hold on to your Hodors. Hodor's real name is actually Walder. In the books, Old Nan explains that "Hodor" is just what he says. But what if there's actually more meaning to it?



Martin hasn't really revealed how Hodor came to say "Hodor." Fan forums claim that Hodor's name was inspired by the Norse god Hod, and that the character has a connection to darkness and winter, perhaps being an agent for the Great Other who is the enemy of Melisandre's Red God. Others even claim the word could have something to do with controlling dragons.



So what do you think about that, Hodor?





Image: Giphy


Well said.



The fifth season of "Game of Thrones" premieres Sunday, April 12, on HBO.

Jimmy Fallon Cracks The Best John Travolta-Idina Menzel Joke Of The Season

Jimmy Fallon has the perfect joke to end the latest round of John Travolta-Idina Menzel chatter.



The two stars' fates became forever entwined at last years' Oscars after Travolta accidentally called Menzel "Adele Dazeem." In Fallon's "Thank You Notes" segment on "The Tonight Show" on Friday, the host addressed the new talk following Travolta weirdly grabbing Menzel's face at this year's ceremony.



"Thank you, John Travolta, for grabbing Idina Menzel's face at the Oscars," he said. "Or, as she put it, 'Let it go, let it go.'"



And with that, we can forever retire all "Let it Go" punch lines.



Fallon also expressed his thanks to Alaska, Netflix and kale.












Friday, February 27, 2015

Will Forte's Wedding Toast To Seth Meyers Is Wonderfully Inappropriate

Oh, what we would give to have been a fly on the wall at the rehearsal dinner of Seth Meyers and his now-wife Alexi Ashe.



On Thursday, Will Forte stopped by "Late Night with Seth Meyers" to promote his new show "Last Man On Earth." While there, the pair reminisced about the pre-wedding dinner in 2013 where Forte made an inappropriate and yet oh-so entertaining wedding toast as his creepy and racist "SNL" character Hamilton Whiteman.



"That was about a six-minute toast and those were about the only 30 seconds we could show on television," Meyers said after playing the clip.



Here's to hoping they release the other 5:30.



H/T Jezebel



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Reality TV Newbies' Most Frequently Asked Legal Questions Answered by An Entertainment Expert

The most important person in a reality television star's life is their entertainment attorney, at least in the beginning. Later on, when you're famous, you'll have agents, managers and other people holding your hand. But when you first get into the entertainment business, the first things you'll have to do are negotiate a development deal, and then hopefully, a contract for a show with a network.



Here's the thing, good entertainment attorneys aren't that easy to gain access to -- they're seriously busy, very expensive, and most of the time you need a referral. If you know someone in the reality television business already, get a referral from them. It's the easiest route. Or reach out to a reality celebrity you have a social media relationship with -- I get questions all the time via Facebook and Twitter.



Depending on the kind of show, the network and whether or not your business is involved, you can easily spend anywhere in the neighborhood of $5,000 to $15,000 on legal fees before you finish production of the first season.



Keeping in mind that most of the information requests and panicked questions I get from complete strangers considering dipping their toes into the reality pond are usually things I reply to with the question "do you have an entertainment attorney?" I thought it would be helpful to ask an entertainment attorney to actually answer them for us. And she agreed.



Nicole Page, a Head of Entertainment and Media Law at Reavis Parent Lehrer in New York, and Chair of the Board of Women Make Movies, represents numerous reality television clients, in addition to production companies. She's also spent years working in television development, so she has a dual-sided perspective on the industry. And she doesn't cut cards when you ask a question. So I asked her a few.



These are the kinds of questions and answers that belong in a "Dummies" book for aspiring reality TV talent, but since that book doesn't exist, we'll start here. I asked my entertainment law expert Nicole Page:



1. What is a development agreement, versus a "real" contract? Does this mean I'm guaranteed a show or not? Is it okay that they're asking me to invest in a demo or "sizzle" reel to show networks?


Nicole says: A contract is a contract and any time you are signing an agreement, even an appearance release, have an attorney review it. A development agreement is the first step in the process. It generally ties you to a producer who will then shop the project with you attached to a network. If the network bites and wants to move forward, you will then be asked to sign a participation or talent agreement. As talent, you should never pay for a sizzle reel. Any reputable production company will fund the production of the sizzle. If however, you have spent the money already, I hope you have an agreement in place that states you co-own the sizzle with the producer.


2. Will I be under contract to a network eventually or working for the production company? Who is my boss? Do I have a boss?



Nicole says: You may be signed directly to the network or you could be signed to the production company. Even if you are signed to the production company, however, your ultimate "boss" is the network. If you are the main character in a series, you will have to adhere to network policies and, oftentimes, while the contract may be between you and the production company, the network is also named in the contract so that your obligations will extend to both the production company and the network.


3. Do I need an agent to help me with my first season of a new show?



Nicole says: Possibly, but only if the agent is really going to go to bat for you. Success breeds success. Good agents become not only interested in you, but also more valuable to you, once your show is a hit. At that point, there is the chance to negotiate for more money and better terms. Early in the game, the talent does not have that much leverage, especially when they are not a celebrity.



4. How long should a development agreement last? How long do they own me? If they don't sell my show, do I have to stick with them?



Nicole says: This is all negotiable but the standard term of a development agreement ranges from 6-12 months. Sometimes companies include "sunset" provisions in their agreements so that even after the term ends, the company may still be attached as producer for a certain period of time. These are the types of provisions your attorney should look for and advise you about.


5. If my business is involved in the show, what's the biggest thing I need to worry about?



Nicole says: In some cases (think "Cake Boss"), having your business featured on a reality show is a boon. But you must be aware that once you sign on for a show, you will not have control over how your business is portrayed. Do not expect to be allowed in the edit room or to have the chance to watch cuts of the show before it airs. That doesn't happen. So there is always some degree of risk regarding how your business will be depicted. Separately, people don't realize how much time shooting a reality show actually takes. You have to be prepared for the fact that you and your employees may find yourselves spending more time shooting and less time running the business and that could impose a financial cost.



Finally, be prepared for the network to ask for a percentage of the proceeds from your business. The network position is that by broadcasting your series, they are providing you with more advertising than money can buy and if they create a platform for you to create a wildly lucrative bakery or hair salon, then they are entitled to profit from it as well.



6. Are they really allowed to play tricks on us to up the drama? I've heard stories of production companies doing really outrageous stuff to get reactions when they're filming.



Nicole says:
I don't think that kind of thing is universal but I think it can and does occur on occasion.



7. Can I take off my microphone and take a break when I need it? Can I tell them to stop filming whenever I want? Can I just walk away if I need to?



Nicole says: If you find yourself in an uncomfortable situation or just need a rest then just speak up. The production process should be collaborative and respectful.



8. Why do I have to do a full background check?



Nicole says: Unfortunately, background checks are now standard because there have been several ugly situations where a network included someone on a show and later discovered that the individual had serious skeletons in the closet. Just recently TLC pulled its very successful show "Here Comes Honey Boo Boo" after the mother on the show began dating a known sex offender. Despite the maxim that "all publicity is good publicity," TLC did not want to be associated with that kind of criminal conduct and pulled the show. When a network elects to air a series, they are thinking about their brand and advertising dollars. So they are checking you out because they don't want to pay for a show about you and then later discover you are an axe murderer. If the network brand is tainted, ratings can drop and ad dollars disappear. Networks will simply not take that risk.


9. What if I hate it? What are the consequences? If I don't get paid til it's finished anyway, why can't I just say forget it and walk away, or kick them out of my business?



Nicole says: Well, because you've signed a contract and the network has put up a lot of money to make a series about you. So if you walk in the middle, you are likely to be in breach of contract and could find yourself defending a lawsuit.


10. What does it mean when I grant them "access" to my home or business? Can I set the rules about where the cameras are? What kind of "alterations" will they want to make to my business?



Nicole says: Your home and your business belong to you. You can absolutely set rules about where the cameras are. If "alterations" are being made, that should be paid for by the network but nothing should be done without your prior consent.


Okay, so now it's not just me telling you that you won't have an opportunity to see the show before it airs and that you don't get to participate in the editing. If you're seriously considering participating in a reality show and you haven't gotten legal advice from an entertainment expert, you absolutely positively must make that your next step.



It doesn't matter if you don't own a business, or you don't feel like you have a lot of assets to protect, take a look at some of the reality star successes that have you actually considering taking this on in the first place. That said, it can go equally bad. Just take a look at Spencer Pratt and Heidi Montag, once famous for "The Hills." Now they're on WEtv's "Marriage Boot Camp" talking about how reality television producers ruined their lives.



If I had to take a bet, I'd say they didn't have good entertainment attorneys when they signed up for their first shows.



Good luck!

HuffPost Live's 'Spoiler Alert' Breaks Down The Season Finale Of 'How To Get Away With Murder'

Annalise Keating and associates wrapped up the killer first season of ABC's "How to Get Away with Murder" on Thursday, when the pack of cutthroat attorneys solved the season-long mystery of who strangled Lila Stangard and opened up a murderous new can of worms. But after 15 episodes of twists and turns, did the finale live up to the Shondaland standard of greatness? HuffPost Live's "Spoiler Alert" broke it all down on Friday, when host Ricky Camilleri spoke with a panel of TV critics to get their reviews. Also on this week's episode: recaps of the latest on "Empire" and the new season of "House of Cards."



Sign up for Live Today, HuffPost Live’s morning email that will let you know the newsmakers, celebrities and politicians joining us that day and give you the best clips from the day before!

Jennifer Lawrence Shuts Down 'Terrible Rumor' About On-Set Fight With David O. Russell

Jennifer Lawrence doesn't use social media very often, so when she does, you know it's got to be about something important.



The 24-year-old actress posted a message to Facebook on Friday in an effort to clear up the rumor that she and director David O. Russell had a heated argument on the set of their new movie, "Joy." TMZ first reported the alleged "showdown," claiming Lawrence and Russell got into a "loud argument" on Tuesday in Boston while filming a scene. A rep for the film's studio, Fox 2000, shot down the report, insisting that although there was some screaming going down on set, it was all just part of a scene -- aka Russell was getting Lawrence all amped up for a shot.



Now, Lawrence is backing that statement:



Hey guys!



It's Jen! I know I don't go on here a lot because I can barely work email but there's been a terrible rumor going around the last 24 hours so I wanted to clear it up.



David O. Russell is one of my closest friends and we have an amazing collaborative working relationship. I adore this man and he does not deserve this tabloid malarkey. This movie is going great and I'm having a blast making it!





So there you have it, straight from J.Law herself: No bad blood here!

Life Lessons I Learned From Star Trek

I know I typically write about music, but having been an entertainment writer for decades, I have had many occasions and the privilege to write about other forms of entertainment, especially when I was living in Las Vegas and working for The Las Vegas Sun and The Associated Press.



The news of Leonard Nimoy's death hit me, as I am sure it did all of his fans, hard. A life without Nimoy is a little duller. It also reminded me of a column I wrote for The Sun in 1998 when the Las Vegas Hilton opened "Star Trek: The Experience." The themed attraction is sadly no longer open (it closed after a decade of entertaining Trekkies in 2008). And the Hilton, where Elvis Presley performed hundreds of shows and the phrase "Elvis has left the building" was coined, is now the Westgate Las Vegas hotel-casino.



But Trekkies and Spock fans like me who had the chance to take in "Star Trek: The Experience" will never forget it. And in case you're wondering after you read my original column below, I did get to take my Dad.



Here's a post I wrote about the experience: "Star Trek Experience a 'Dream Come True."



Monday, Jan. 5, 1998



I stood in the transporter room of the USS Enterprise; I walked along one of the ship's corridors; I took a ride on one of her shuttle craft; and I found myself on the bridge, racing through the stars at warp speed.



It was a dream come true.



If my adult mind had convinced me that Star Trek was only a television show and some movies, the museum -- which allows a review of the entire historical time line for the future that Star Trek has created -- turned fantasy into reality.



Welcome to Star Trek: The Experience.



Wandering through the exhibits and listening to the sound bytes of familiar TV show and film clips, I was transported back in time by one of my first vivid memories -- watching, with my dad, Capt. Kirk, Mr. Spock and Dr. McCoy take on the mutant alien of the week.



More importantly, I remember it was during these shows that for the first time my dad really talked to me. Not like a parent speaks to a child, but as an equal.



With Star Trek acting as our medium, I learned a lot from that quality time spent with dad.



I learned that you never, ever want to be a red shirt (unless you are Scotty) because you most certainly will met an untimely end. I learned that because the Enterprise was traveling at light speed, its five-year mission was much longer in Earth years. Therefore, when the crew finally returned home, everyone they knew on Earth would be long dead. (I thought this was really sad.) I learned that English truly is the universal language. I learned that unlike in life, good always prevails.



During my formative years I watched Star Trek, the original series, and dreamed of working on the Enterprise when I grew up. I had my first crush on Capt. Kirk, and my second on Mr. Spock. I struggled with how my family and friends would accept my dating an alien and a Vulcan at that. Which brings me to another life-lesson learned from the crew of the Enterprise: that no matter what color your scales are or what planet you are from, all life forms should be treated with respect.



There also was something noble and selfless about the crew members who had given up everything (mainly Earth) to fly around the universe in search of intelligent life and Klingons in order to help mankind. They did, however, have the advantage of using replicators for food preparation with no dirty dishes to wash afterwards.



The entity that has evolved as Star Trek -- four shows and eight movies later -- started in 1966, before the Me Generation and while "Ask not what your country can do for you ..." was still echoing in our minds.



The foremost question on my mind (besides what's for dinner) was where do I sign up? Imagine my disappointment when I was informed I could not attend Star Fleet Academy and that the Enterprise was merely a sound stage. I don't think I ever fully recovered from the devastation.



Until today.



While most 20th century adventures can't and don't live up to their hype, the city's latest attraction now open at the Las Vegas Hilton does.



And after a visit to the 24th century, I can't wait to take my dad.

Kelly Osbourne Quits 'Fashion Police' After Zendaya Hair Controversy

Kelly Osbourne has left "Fashion Police." The news, first reported by TMZ, was confirmed in a statement from the E! network:



Kelly Osbourne is departing E!s “Fashion Police” to pursue other opportunities, and we would like to thank her for her many contributions to the series over the past five years, during which time the show became a hit with viewers. “Fashion Police” will return, as scheduled, on Friday, March 30th at 9:00 p.m. and no decisions have been made on her replacement.





According to TMZ, the 30-year-old made good on her threat to quit the show following Giuliana Rancic's offensive remarks about actress Zendaya's dreadlocks.



Though Rancic apologized to the former Disney star, sources told TMZ that tension had been building ever since the "Fashion Police" cast taped the first episode without Joan Rivers, and Osbourne was unhappy with how the show was being produced.

New 'Game Of Thrones' Season 5 Poster Confirms One Big Story

It's clear that dragons are coming, but that's not even the biggest reveal in HBO's new "Game of Thrones" Season 5 poster.



The image shows Tyrion aboard a ship looking at a huge dragon that appears to be Drogon. But, other than just being awesome, what does it mean? Well, from the poster, the exchange between Varys and Tyrion in the trailer (where they talk about who should sit on the Iron Throne) and the events that happen in George R.R. Martin's novel A Dance with Dragons, the image seems to confirm that Tyrion will definitely be crossing paths with Daenerys in Season 5.



dragons



"Game of Thrones" Season 5 premieres Sunday, April 12, on HBO.

Mo'Nique Debunks Lee Daniels' 'Blackball' Comments: 'There Were No Demands'

Earlier this week, Lee Daniels clarified comments Academy Award winner Mo'Nique made claiming that the director told her she had been “blackballed” in the years following her 2010 Oscar win for her role in “Precious."



In his response, Daniels said that wasn't exactly what he said and suggested Mo’Nique should “play ball” in order to sustain a successful career. He also made comments saying she failed to meet "certain demands" as part of her role in "Precious", a film directed by Daniels.



“I love her, and I’ve spoken to her. And she’s brilliant, and I like working with brilliant people. But sometimes artists get in their own way — I know I certainly do often, I have my own demons that I get in front of myself…I think there were demands that were made from her on the ‘Precious’ campaign, that everyone knows about, that hurt her. And I told her that," he said.



On Thursday, the comedienne responded to his interview and appeared on CNN Tonight with host Don Lemon where she debunked reports that she had specific “demands” while promoting “Precious.”



“Actually, there were no demands,” she admitted. “There was a request from the movie studio, and they called and requested that I fly to France for the Cannes Film Festival. I simply said, ‘I respectfully decline.’ Because if you can remember at the time there was a talk show called, ‘The Mo’Nique Show,’ I was doing a comedy tour, I was actually in the awards season of the awards, and I’m also a wife and I’m a mommy. So when they called, I had a couple of days just down time, I wanted to spend that with my husband and my kids.”



The 47-year-old actress went on to reveal her ultimate decision to forgo promotional duties in France resulted in the studio’s longstanding guidelines not to compensate actors.



“When the third call came and they said, 'What is it going to take to get Mo’Nique to France to the Cannes Film Festival?’ And my husband said, ‘Is there a number associated with it?’ And they said, ‘oh, we would never pay for anyone to do any promotions for a movie.’ And we said, ‘We understood.’ Because what people didn’t know was, I was paid $50,000 to do the movie ‘Precious,’” she continued. “And it really wasn’t about the money, I’m not complaining because I signed up to do it with my friend.”



Check out Mo’Nique’s CNN interview in its entirety in the clip above.


Podcast Review: WTF -- Remembering Harris Wittels

Host Marc Maron had the late Harris Wittels as a guest in "the garage" for episode 424 of WTF less than two years ago, back in September of 2013. The day after Wittels was found dead, Maron reposted that interview.



2015-02-27-maron_wittels_WTF.jpg.jpeg



"This is what we do here on WTF, in respect for people who have passed away," Maron says by way of introduction.



Most of us aren't used to someone as young as Wittels, who was just 30 years old, as having demons. Even in retrospect it's hard to say that we can even glimpse them here.



Starting out as a Jewish kid from Oklahoma, Wittels talked to Maron about recreational drug use starting in his early teens. At one point in the conversation, he says that he had done so many hallucinogens like acid and ecstasy at concerts that, by the age of 25, he'd stopped using them because he didn't find the effects all that interesting.



Apart from bouncing between being clean and using, the main picture that emerges is more about a young man who discovered comedy, and his facility for it, beginning around the age of 18 and how that changed his life. Seeing acts such as Doug Stanhope and opening for the likes of Bobby Slayton at The Improv in Houston were formative experiences, Wittels shared with Maron.



In pursuit of standup, he found himself drawn to Hollywood, doing sets and working as a grunt at Comedy Central, where "I'd answer phones and watch South Park episodes in the vault," said Wittels. Nine years ago, at 21, Sarah Silverman saw his standup set and invited him to submit writing samples for The Sarah Silverman Show. He got the gig and was a staff writer through 2010. From there he got on staff in the second season of Parks and Recreation, working his way to an executive producer title while also appearing on the show.



He revealed to Maron that he considered himself a bit of "a fraud" given his rapid rise once he got to Los Angeles. "I didn't even have to eat that much shit when I got out here," he laughingly said.



As Wittels talked about his life, still in high gear as this interview was laid down that, there's really no hint that, just two years later, it would come to such a tragic end.



This review originally posted as part of This Week In Comedy Podcasts on Splitsider.com.

30 Original Jokes About #TheDress

1. Good one.










2. Nice.










3. Hah!










4. Oh, you.










5. Zing!










6. Classic.










7. Got 'em!










8. Ka-boom!










9. Ka-blam!










10. Ka-wow!










11. Ka-huh?










12. There we go!










13. There it is!










14. Yes.










15. Yes!










16. YES!










17. YES!!!










18. Love it.










19. Hah, yes!










20. Good one, guys.










21. Amiright?










22. LOL!










23. Here we go!










24. Now that's comedy.










25. #True.










26. Hahahahaha.










27. Ohhhhhh, yes.










28. It's funny because it's true!










29. Dying.










30. I can't even!






20 Things That Make ZERO Sense On 'Friends'

Best show ever, not so great with continuity.

Podcast Review: WTF - Remembering Harris Wittels

Host Marc Maron had the late Harris Wittels as a guest in "the garage" for episode 424 of WTF less than two years ago, back in September of 2013. The day after Wittels was found dead, Maron reposted that interview.



2015-02-27-maron_wittels_WTF.jpg.jpeg

"This is what we do here on WTF, in respect for people who have passed away," Maron says by way of introduction.



Most of us aren't used to someone as young as Wittels, who was just 30 years old, as having demons. Even in retrospect it's hard to say that we can even glimpse them here.



Starting out as a Jewish kid from Oklahoma, Wittels talked to Maron about recreational drug use starting in his early teens. At one point in the conversation, he says that he had done so many hallucinogens like acid and ecstasy at concerts that, by the age of 25, he'd stopped using them because he didn't find the effects all that interesting.



Apart from bouncing between being clean and using, the main picture that emerges is more about a young man who discovered comedy, and his facility for it, beginning around the age of 18 and how that changed his life. Seeing acts such as Doug Stanhope and opening for the likes of Bobby Slayton at The Improv in Houston were formative experiences, Wittels shared with Maron.



In pursuit of standup, he found himself drawn to Hollywood, doing sets and working as a grunt at Comedy Central, where "I'd answer phones and watch South Park episodes in the vault," said Wittels. Nine years ago, at 21, Sarah Silverman saw his standup set and invited him to submit writing samples for The Sarah Silverman Show. He got the gig and was a staff writer through 2010. From there he got on staff in the second season of Parks and Recreation, working his way to an executive producer title while also appearing on the show.



He revealed to Maron that he considered himself a bit of "a fraud" given his rapid rise once he got to Los Angeles. "I didn't even have to eat that much shit when I got out here," he laughingly said.



As Wittels talked about his life, still in high gear as this interview was laid down that, there's really no hint that, just two years later, it would come to such a tragic end.



--



This review originally posted as part of This Week In Comedy Podcasts on Splitsider.com.

Khloe Kardashian's Abs Are The Inspiration You Need To Make It To The Gym Today

Zachary Quinto Pays Tribute To His Spock Predecessor Leonard Nimoy

Watch 'Frozen' Retold Using Only Emojis

It looks Emojis are taking over more than just your text threads. In the new video "Disney's Frozen as told by Emoji," the blockbuster film gets reimagined with the cutest little animated faces. At less than three (very entertaining) minutes, could the short film nod to a whole new emoji genre? Here's hoping.



Introducing 4 Real-Life Lawyers Who Would Fit Right In On 'Better Call Saul'

Pretty much everyone is watching "Better Call Saul," AMC's "Breaking Bad" spinoff that centers on Walter White's morally ambiguous attorney Saul Goodman. Best exemplified by his over-the-top commercials, Saul is exactly the kind of outlandish character that makes great TV drama, but he's also familiar to anyone who's ever seen one of the many similarly-directed ads for local lawyers across the country.



HuffPost Live's Josh Zepps joined in on the excitement on Friday when he spoke with four personal injury attorneys who would fit right in at Goodman's practice. Whether it's creating commercials you'll never forget or learning to separate legitimate clients from shady scammers, these lawmen are professionals when it comes to the weirder parts of the job, but they all say their primary mission is fighting for people who can't fight for themselves.



Watch the video above to see the full HuffPost Live conversation with these real-life Saul Goodmans.




Sign up here for Live Today, HuffPost Live’s morning email that will let you know the newsmakers, celebrities and politicians joining us that day and give you the best clips from the day before!

5 Reasons I'm Breaking Up With You, Oscars

Dear Oscars,



It's not you. It's me.



*meaningful pause*



OK, it's actually you, and by "you," I mean "me." I'm in a different place in my life right now, a place covered in Cheerios and scattered tiny little Lego pieces that dig into the soles of your feet. A place where if you want to get the attention of others, you simply withdraw to the washroom and wait. I have two boys (ages 2 and 5) and a full-time job. Evenings are for all-you-can-cook-and-chore while weekends are for all-you-can-STOP AND DON'T!!! Quite frankly, when all is said and done, I have neither the joie nor the vivre left in me required to enjoy your company. We've simply drifted apart and I think you know where I'm going with this, Oscars. You have to go.



Just as soon as I've hate-watched the Red Carpet.



Okay, go. STAY. GO. STAY. GO STAY. I mean it.



I know that after so many years together it may come to you as a shock, but believe me, I have my reasons:



1. Rubbing Clean People Who Have Time to Clean up in My Face

Gee, thanks so much for taunting me and showering me (no pun intended) with an endless parade of freshly-cleaned, coiffed and manicured individuals of both genders, none of whom is wearing stickers. And don't think I didn't notice the whimsical gowns and hairdos. We survivalists don't do whimsical.



2015-02-27-stickers.jpg





2. A Reminder of Your Place in Society in the Form of a List of Movies None of Which You Have Watched Nor Heard of

You think you're so much better than me, don't you, knowing exactly who, she, it, what (?) is Birdman? Oh, look at you, so cool and non-obsolete, but guess what, buddy... OK, I've got nothing.



3. 11:30 p.m. - Really? Is that still a thing? I'm sorry, but I'm not taking on any new sleep-deprivers at the moment. I'm at full capacity.



4. Red Carpets Are a No-No

You call it Red Carpet, I call it Ketchup Stains. Tomatoes Tom-uh-toes. Red comes in chalk, juice, jams and crayons. Red be bad. We no likey.



5. "Who Are You Wearing?" Brings (Lower and Upper) Back Pain

What, this little number? Oh, this is Daniel. He is a baby and he lives in this Baby Bjorn. OK, that's not entirely true, he's 2 now and has relocated, but my back still remembers this as if it was yesterday.



2015-02-27-bjorn.jpg





So peace out, friend. I'll catch up with you in a couple of years.



This post appeared on Katia's blog, http://ift.tt/16Hzse0. You can find Katia on Twitter @KatiaDBE and on Facebook.

Hear me Out: A$AP Ferg Teaches the World How to 'Dope Walk'

Harlem rapper, A$AP Ferg recently released his "Dope Walk" video, from his Gangsta Grillz mixtape Ferg Forever. In the video shot by Ferg and Matt Starr on an iPhone, Ferg takes model/socialite Cara Delevinge on digital ride via Face Time and gives both Cara and his audience insider access during New York Fashion Week.



Warning: NSFW








From sitting front row at shows by Pyer Moss, Adam Selman and Adidas x Kanye to cameos from celebrities such as Rihanna, Big Sean, Beyoncé, and Justin Bieber. So, of course, I decided to chat with Ferg on creativity, fashion, and hear more on what 'Dope Walk' is all about. Now you can be the judge if his walk is "meaner than Cara Delevingne's."



1. Now that "Dope Walk" is out... how do you feel it has been received by the public? Is this what you hoped for?



I knew that people would have more fun with the song once they saw the visual and how the dance went in the video. A lot of people are just having fun doing the dope walk or just enjoying seeing other people doing the dance and that's all I hoped for. I wanted to bring back the essence of song and dance and highlight a brighter energy of hip hop. The video exceeded my expectations of just being a trendy dance in Harlem and I feel it really went global.



2. Can you walk me through the creative process of conceptualizing and filming the video. I love the idea of inviting your audience to be with you every step of the way.



I came up with the idea of shooting the video on my phone to make the video feel more personal with artist Matt Starr and founder of The 88, Harry Bernstein. We wanted to shoot an innovational video and push the limit a bit with creativity.



3. Artists from Beyonce to OG Maco have taken the guerilla style, DIY approach to creating their videos. It strips down the pretentious layers associated with being a "celebrity" and makes you very relatable. Do you see this as a new trend?



I don't feel like it makes you less of a celebrity but I do feel like making yourself more relatable is the new celebrity. With the new computer age I think fans get a kick out of knowing that their favorite celebs have the same habits they have.



4. You shared your "private" face-time session with your "virtual friend" Cara with the world. How does this speak to the kids of the digital age and the times of today? Do you think privacy is obsolete?



Privacy is what you make of it. I think that privacy is between you and the person; it doesn't have to deal with computers or phones.



5. When watching the video, everything about it was effortless and fun. Which to me is very you. Can you speak on what part or parts of your character allows you to bridge the gap between music and fashion in this way?



I'm an artist by nature who loves to use many different mediums to express myself including music, dance, fashion and film. I come from an art background and these things come natural to me.



6. Speaking on the bridge between music and fashion, I went to the Dipset performance at BB Kings the other night. It was definitely a walk down memory lane. It evoked the same feeling as the "Dope Walk" Video. I remember a collection you did for the Young & Reckless and you said the purple camo bulletproof vest was inspired by Dipset's street team, Purple City Bird Gang. How has Dipset been of influence to you? And how do you feel about their reunion project?



The reunion project is cool but I love the old Dipset before the break up. When Killah [Cam'ron] was doing the all pink range and Jim was "one eye willie" I used to see them in Harlem all day everyday. I want to provide that feeling to my generation of that "real" accessible celebrity.



7. In terms of your creative vision and progress what can we expect from you in 2015, and how do you plan on bringing your ideas to life?



Expect me to bring it back home to Harlem.



8. Lastly, talk to me about the tribal face paint you rocked during NYFW. What influenced that? What were people's reactions?



I did the tribal face art because I thought it would compliment my outfit and people loved it.



For more information on A$ap Ferg head to www.asapferg.com.

Let These 'House Of Cards' Charts Remind You Why You're Binge-Watching So Hard

"House of Cards" is back!



After months of anticipation, everyone's favorite power-hungry, fourth-wall-breaking politician has returned to Netflix for a third season. Here are some "House of Cards" charts to prep you before you disappear into a weekend of binge-watching. If you're not caught up completely, you may want to turn back, since there are a few spoilers ahead.



















Life Lessons I Learned from Star Trek

I know I typically write about music, but having been an entertainment writer for decades, I have had many occasions and the privilege to write about other forms of entertainment, especially when I was living in Las Vegas and working for The Las Vegas Sun and The Associated Press.



The news of Leonard Nimoy's death hit me, as I am sure it did all of his fans, hard. A life without Nimoy is a little duller. It also reminded me of a column I wrote for The Sun in 1998 when the Las Vegas Hilton opened "Star Trek: The Experience." The themed attraction is sadly no longer open (it closed after a decade of entertaining Trekkies in 2008). And the Hilton, where Elvis Presley performed hundreds of shows and the phrase "Elvis has left the building" was coined, is now the Westgate Las Vegas hotel-casino.



But Trekkies and Spock fans like me who had the chance to take in "Star Trek: The Experience" will never forget it. And in case you're wondering after you read my original column below, I did get to take my Dad.



Star Trek Experience a 'dream come true'



By Lisa Snedeker



Monday, Jan. 5, 1998



I stood in the transporter room of the USS Enterprise; I walked along one of the ship's corridors; I took a ride on one of her shuttle craft; and I found myself on the bridge, racing through the stars at warp speed.



It was a dream come true.



If my adult mind had convinced me that Star Trek was only a television show and some movies, the museum -- which allows a review of the entire historical time line for the future that Star Trek has created -- turned fantasy into reality.



Welcome to Star Trek: The Experience.



Wandering through the exhibits and listening to the sound bytes of familiar TV show and film clips, I was transported back in time by one of my first vivid memories -- watching, with my dad, Capt. Kirk, Mr. Spock and Dr. McCoy take on the mutant alien of the week.



More importantly, I remember it was during these shows that for the first time my dad really talked to me. Not like a parent speaks to a child, but as an equal.



With Star Trek acting as our medium, I learned a lot from that quality time spent with dad.



I learned that you never, ever want to be a red shirt (unless you are Scotty) because you most certainly will met an untimely end. I learned that because the Enterprise was traveling at light speed, its five-year mission was much longer in Earth years. Therefore, when the crew finally returned home, everyone they knew on Earth would be long dead. (I thought this was really sad.) I learned that English truly is the universal language. I learned that unlike in life, good always prevails.



During my formative years I watched Star Trek, the original series, and dreamed of working on the Enterprise when I grew up. I had my first crush on Capt. Kirk, and my second on Mr. Spock. I struggled with how my family and friends would accept my dating an alien and a Vulcan at that. Which brings me to another life-lesson learned from the crew of the Enterprise: that no matter what color your scales are or what planet you are from, all life forms should be treated with respect.



There also was something noble and selfless about the crew members who had given up everything (mainly Earth) to fly around the universe in search of intelligent life and Klingons in order to help mankind. They did, however, have the advantage of using replicators for food preparation with no dirty dishes to wash afterwards.



The entity that has evolved as Star Trek -- four shows and eight movies later -- started in 1966, before the Me Generation and while "Ask not what your country can do for you ..." was still echoing in our minds.



The foremost question on my mind (besides what's for dinner) was where do I sign up? Imagine my disappointment when I was informed I could not attend Star Fleet Academy and that the Enterprise was merely a sound stage. I don't think I ever fully recovered from the devastation.



Until today.



While most 20th century adventures can't and don't live up to their hype, the city's latest attraction now open at the Las Vegas Hilton does.



And after a visit to the 24th century, I can't wait to take my dad.

RIP Leonard Nimoy

Spock was my favorite. As a church kid, he gave me permission to be skeptical. As a shy kid, he taught me that being aloof was a special power. I have no idea how logical Mr. Nimoy was, but when he put on the blue shirt, he glued me to my seat to see what ethical dilemma Spock was going to solve with one eyebrow tied behind his back.



When an elective came up in high school called "Ethics and Logic," I had no idea what the class was about, but I signed up for it, just for that word, "Logic." That's where I learned about Kierkegaard.



"That is the exploration that awaits you! Not mapping stars and studying nebula, but charting the unknown possibilities of existence."



-Leonard Nimoy

Aural Fixation: RIP Mixtape

"Isn't this cool?" I said to him, holding up the t-shirt. It had come as part of singer/songwriter Martin Sexton's pre-order bundle for his new CD, Mixtape Of The Open Road. A list of tour dates skated down the backside. On the front was a cassette tape rendered in retro-distressed style. He stared at it for a couple of seconds and made a snuffling sound.



"What?"



"That doesn't make you feel old?"



"Concert tees never go out of style, baby!"



"No," he said, nodding to the front. "Tapes. Mixtapes. A certain generation has no clue what those things are."



I considered this and first thought I refuse to allow the term "certain generation" in this house. THAT makes me feel old. But, then I realized he was right. The mixtape is a rarefied artifact, and I miss it mightily.



Once upon a time, the mixtape was the audio valentine of choice. It was the preferred method of telling a guy or girl you wanted to hold their sweaty palm in yours and pretend to watch a movie. The quickest and most devastating litmus test of relationship material is the conversation you have about music. I subscribe whole heartedly to that great line spoken by John Cusack's character in High Fidelity: "What really matters is what you like, not what you are like. Books, records, films -- these things matter. Call me shallow, but it's the fuckin' truth."



In days of yore (aka the '70s), it was relatively easy to suss out a person's musical interests. Vinyl was impossible to escape. If a record collection wasn't arrogantly displayed like the rhino heads and cheetah pelts of big game hunters, that meant: A. The person had something nasty and shameful to hide, like The Best of Bread or Tito Puente Does Motown, or B. Music was not part of their social vernacular. In both cases, your chances of getting laid plummeted. I've never had a date, let alone a relationship, last where his musical tastes did not surpass, compliment, or challenge my own. I remember sitting across from the table on a date with a perfectly nice boy human who told me that music was not really something he "noticed." Check please. That's why the mixtape is such high stakes territory; it's a lyrical Cyrano de Bergerac saying something important to someone that you're too shy or repressed or straight up chicken-shit to say yourself.



Because you're offering up more than what speaks to you musically, you're carving out a piece of your soul and giving it to this person. I know that sounds uber-dramatic, but so isn't adolescence. It's a trail of aural breadcrumbs you're leaving for the person to follow. Will they pick up what you're throwing down and decode your secret message, the one that says I love you or please don't break my heart or are you the one who finally gets me? Will they hear you saying: "I want to show you my brain," or "Can we please get super funky naked together? Like, a lot? Like, as much as humanly possible?" Sidenote: That's the Al Green, Marvin Gaye, Prince mixtape. Potent. You get one of those and manage to keep your panties from dropping, then you belong in a museum next to the statue of Michelangelo's David.



As soon as I knew I liked a boy, I would start mentally building the mixtape. For better or for worse -- usually for worse, in my case, a prematurely-given mixtape is the same as texting someone sitting in front of you who has just given you their digits; it's very bad form -- that kid knew who he was agreeing to sit with on the school bus. The mixtape is as vulnerable as it gets, and that includes the angry, bitter mixtape of tunes that seem to be the only things to adequately convey your roiling angst and searing pain over the one who has done you wrong. I am sure I have a shoebox molding in the back of a closet somewhere with a mixtape or two given to me by boys who ultimately stomped my heart into the dirt. I know if I found them, I would turn the plastic cases over in my hands, study the fading ink of handwriting, suddenly familiar, but also foreign, and without even putting it in a player (a device that no longer exists) would be able to hear each tune and feel the way I did the first time I listened.



I know we don't listen, make, consume or share music today the same way we did even ten years ago. I see the potential in a lot of innovation sweeping across the art space, from books and music to film and graphic design and video games. But there's a part of me that feels the pull to preserve ritual and rite of passage. The shared playlist (the one that could go on in perpetuity. How many Bare Naked Ladies songs can you stand?), the "I burned this for you," just don't hold the same gravitas. They just don't.



I popped Martin Sexton's disc onto the digital turntable spinning inside my laptop and settled in to listen and marvel a little bit over a "certain generation" who will never know what it is to bare your soul in the magnetic spools of a mixtape.



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