Jazz composer/arranger and saxophonist/clarinetist Oliver Nelson was born in Depression-era St. Louis. Raised in a musical home (brother a saxophonist, sister a vocalist/pianist), the wunderkind made his fingerprints on the piano at the age of 6 before taking to the saxophone by his tweens. Gigging locally in his teens led to hitting it with the Louis Jordan big band in the early '50s. After serving as a Marine in the Korean War, Nelson went on to study theory and composition. He landed in New York, teaming up with Erskin Hawkins and Wild Bill Davis, and became house arranger for the Apollo, with a stint in L.A. alongside Louis Bellson. In 1960, Nelson joined the Quincy Jones camp, touring Stateside and abroad. Nelson released his landmark 1961 The Blues and the Abstract Truth, with his coveted jazz classic "Stolen Moments," a soundmark that set his trajectory to illustrious heights. Collaborations include Cannonball Adderley , Sonny Rollins, Eddie Davis, Johnny Hodges, Wes Montgomery, Buddy Rich, Jimmy Smith, Stanley Turrentine, Billy Taylor, Irene Reid, and Gene Ammons. The maestro produced and arranged for James Brown, Nancy Wilson, The Temptations, Bill Evans, Freddie Hubbard, Thad Jones, Ron Carter, and Diana Ross. Credits feature arrangements for Barbier's Last Tango in Paris score, compositions for the film Death of a Gunfighter and TV's Ironside, Night Gallery, Columbo, The Six Million Dollar Man, and The Bionic Woman. In 1975, the extremely productive and dedicated virtuoso perished from a heart attack at 43. Revisit Oliver Nelson's elegant "Stolen Moments," from Oliver Nelson & Eric Dolphy: Essential Jazz Recordings, 1950-1960. |
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